Tituss Burgess Quotes
There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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I just enjoy being onstage and relating to the audience.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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I've started doing my Kathak, and I rehearse every day. Also, I'm eating right and keeping in shape. I'm a non-smoker and non-drinker and essentially a happy person. That's what counts the most. Your well-being is reflected in your personality.
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I don't think about who the audience is for my books.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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I have kind of a personality defect in that I find the word 'no' hard to articulate.
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I don't have a director. The audience directs me.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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If I have any audience, they can know that anything I am in, I would go see, with the expectation of being really satisfied.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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A film has its own life and takes its own time.
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When you're struggling to get a feature film off the ground, there's no big overarching tenure plan or anything like that.
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To get scared is something not in my personality.
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Conflict is not inevitable, but disarmament is... everyone now accepts that if there is a default by Saddam the international community must act to enforce its will.
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Me and Eddie really hit it off as songwriters and also as just people. It lasted three years. I don't regret one moment. They were great to me.
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On vacations: We hit the sunny beaches where we occupy ourselves keeping the sun off our skin, the saltwater off our bodies, and the sand out of our belongings.
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Before Fringe I was in Dirty Sexy Money playing Jeremy Darling who was this bratty New York socialite.
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Why is it that a connection that seems to have nothing to do with looks—because it feels so much deeper than that, like a connection of minds and souls—is actually entirely dependent on looks?
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There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
