Tituss Burgess Quotes
There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
Quotes to Explore
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I think, doing a first film, at some point you get halfway through, and you wonder, 'Is this is good enough to define who I am for the coming decade?'
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I just enjoy being onstage and relating to the audience.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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I've started doing my Kathak, and I rehearse every day. Also, I'm eating right and keeping in shape. I'm a non-smoker and non-drinker and essentially a happy person. That's what counts the most. Your well-being is reflected in your personality.
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I don't think about who the audience is for my books.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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When you're in theater or the circus or film - to me it's all one - affairs happen. People fall in love.
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I have kind of a personality defect in that I find the word 'no' hard to articulate.
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I don't have a director. The audience directs me.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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If I have any audience, they can know that anything I am in, I would go see, with the expectation of being really satisfied.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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With 'Girls,' it doesn't really feel like I'm doing TV specifically. It just feels like we're making a really long film.
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A film has its own life and takes its own time.
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When you're struggling to get a feature film off the ground, there's no big overarching tenure plan or anything like that.
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To get scared is something not in my personality.
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Could we say that the short short is to other kinds of fiction somewhat as the lyric is to other kinds of poetry? The lyric does not seek meaning through extension, it accepts the enigmas of confinement. It strives for a rapid unity of impression, an experience rendered in its wink of immediacy. And so too with the short short.
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There can be no freedom for Africa without justice; and no justice without declaring war on Africa's poverty, disease and famine with as much vehemence as we remove the tyrant and the terrorist.
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You really are as hot as your last movie. And it goes away really quickly.
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I was a wonderful parent before I had children. I was an expert on why everyone else was having problems with theirs. Then I had three of my own.
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I'm not single, I'm busy. That's my line.
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There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.
