Writing Quotes
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It's interesting going between small parts and then bigger roles where you carry the film. If the writing is good, and if the people involved have integrity, then you'll do it, even if it's only five minutes on screen.
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Sally Barris has a voice like sparkling crystal. You could have knocked me over with a feather the first time I heard her. Her writing is from a deep, yet innocent, place and her point of view is just a bit off center. I am excited for her, she is standing at the beginning of her journey in this town, with all of it ahead of her. It reminds me of the first time I heard Beth Nielson-Chapman or Nanci Griffith. It's going to be fun to watch.
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A lot of artists write about the same things their whole career.
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India produces a lot of engineers. But the production of computer science engineers is low, pro rata. Computer engineers are more into theory and less in managing businesses, building businesses or writing source codes, the key to software development.
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'Shun security,' I advise aspiring novelists when they complain to me that they are stuck. 'Get disoriented. Maybe your agonizing writing block isn't agonizing enough. Your enemy is comfort.'
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'The Glass Menagerie' by Tennessee Williams is a great play. I had to read it for school when I was younger, but I started writing scripts after that. That's what got me into writing.
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I don't suppose a writing man ever really gets rid of his old crocus-yellow neckties. Sooner or later, I think, they show up in his prose, and there isn't a hell of a lot he can do about it.
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I am a drinker with writing problems.
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You're an artist when you're writing, a businessperson the rest of the time.
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The way my body is viewed in the world is different than a male body. People are going to write about the performance, but they're probably also going to be writing about what I was wearing or my hair, which just doesn't happen to men.
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I chose photography over writing. I had to make a living.
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I am writing a book more improbable than 'The Interrogative Mood' that I call 'Manifesto'. It's two guys talking who speak artificially conveniently.
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I have a lot of reactions to the outside world that I don't feel like would be appropriate for songs: things I'm not interested in writing about, things I don't want to think about any longer than 15 or 20 seconds.
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I always try and find new things to think about and address. That really opens you up as a writer. I can write a lot of what I feel and it helps put it into clearer perspective.
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I like to separate the music- and lyric-writing processes if I can. I'll sort of noodle around on my keyboard and my computer until I have a beat or a chord progression, I'll record it as a loop, export it to iTunes, then walk around with the loop and sort of talk to myself in the loop, and that's how I get the lyrics.
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I've been having a lot of fun exploring different aspects of filmmaking, like writing and producing. There isn't a specific plan and I usually don't know what's going to be the next thing I do.
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All of my wildness is in the writing. I have discovered I have to be orderly and boring in my personal life to be wild in my work.
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If I knew anything about what people wanted and was popular, I'd still be writing for 'Saturday Night Live'. I can only write what I want, and hopefully people will like it.
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We're not just writers; we're readers probably more than anything else. That's how you learn how to write and how you learn to appreciate good writing: by reading.
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I try to treat writing as part of my daily routine: I write for at least two hours, five days per week. I tend to write at home, in a room I've set aside for the task. I don't work well in cafes or busy, loud spaces, although I wish I could. It would mean greater flexibility for me.
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I listen to a lot of different kinds of music and rather than just doing one thing when I make an album, the challenge to myself is to write all these diverse tracks, but to make them work. It's like a jigsaw because if you've got a lyrical track going into a hard rock track... it's got to work. You've got to write things that will work together.
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When I started writing music on the guitar, it started off very folky because of my limited ability to play. It was slow, soft melodies. But then, as I got better on the guitar, I started exploring different sounds.
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The idea of taking a song, envisioning the overall sound in my head and then bringing the arrangement to life in the studio...well, that gives me satisfaction like nothing else.
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One good way to start writing poetry is to read all kinds of poetry: not just in order to imitate but to fill up your head with it, to absorb it, to make poetry an essential part of how you view the world.
