New York Quotes
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I was in New York. Hitchcock was in California. He rang me to make a report on his progress and said, I'm having trouble. I've just sacked my second screenwriter.
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A lot of Montanans are teed off that local finds usually end up in New York.
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My character Jack in the New York Spring Spectacular is a lot of fun. He's playful, he's full of life. He can make things come to life. He can make things happen.
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A lot of my training is in classical theatre; I've done a lot of classical plays in New York and also at the Guthrie and here and there across the country.
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I was the first Indian model to have a career in Paris, Milan and New York.
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When I came up to New York to do a play, I passed by Julliard, and I was like, 'Oh I heard of this place.' I applied, and ended up getting in.
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I feel like all Londoners relate more to New York - L.A. doesn't feel like a 'city' city. It's like a sleepy town.
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New York, in itself, has this frenzied, chaotic feeling to it. It's such a big city, and it's always moving, and there are so many people.
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I primarily live in New York City, a place that is about constants, not letting up and not stopping.
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I was 26 when I went to my first acting class. I'm naturally quite shy. I'm a quite private person. There's this really strange acting class in New York called Black Nexxus. For someone who's slightly shy or self-conscious, it's the most frightening thing you can do.
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I first thought about doing a project about Anna Wintour and 'Vogue' when I read an article in 'New York Magazine' about the Metropolitan Museum Costume Institute Ball, the annual fundraising gala that Anna oversees. It created such a fascinating portrait that I couldn't help but be compelled.
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When I was 18, I drove from New York to California to be a movie star. Not an actor, mind you, but a movie star. Have you ever heard of anything so silly?
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Any New York group can come to L.A. and sell out every show, but an L.A. group who goes to New York might not do the same because the audience hasn't been introduced to the group.
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When you're on the subway in New York, people literally could be 11-inches away from you, and you can't just stare at them.
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People with brains went to New York, and people with faces came West.
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The infrastructure we provide is the same in a remote town in Africa or New York or an archipelago in Sweden: we use the same system, and the chips inside the phone are the same.
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I used to write a monthly column for the 'New York Times' syndicate. But I stopped because I found it really hard to have one extreme opinion a month. I don't know how these columnists have two or three ideas a week; I was having difficulty having 12 things to say a year.
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I've never had a treehouse because I live in New York City. It would be a little bit hard to fit a treehouse in a New York City apartment.
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I got a job when I was 15 because my allowance was about $20 a week which in New York was impossible. So I used to waitress across the street from where I grew up.
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Life in New York can be so, I don't know, chaotic, overwhelming, busy, frantic, and often, seniors can easily get overlooked.
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I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.
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I started working at the age of 2, doing commercials and modeling in New York.
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I came to New York in 1962 and it began to look like I might he able to make a living in 1972.
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I've done a lot of plays before where I had to do a New York accent, but never a Philly one before. They do the rhotic 'r' - where you say the 'r' - where most New Yorkers don't.
