New York Quotes
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Sometimes I want to be on 'The Real Housewives of New York.' I want to remind them to figure out how to get along and support each other.
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The next night I got on an airplane, and flew to New York and looked into acting schools. Four or five acting schools. One of which was the Neighborhood Playhouse, which I started at six months there after.
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One thing I really want to do is - I spent ten years in New York doing theater before I moved to L.A. to do TV and film. I'd really like to go to back New York and do some theater.
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I'm originally from southern California, so I, like, say 'like', like, a lot. I've been trying to scrub any traces of Valley Girl from my speech since I moved to New York, but it's, like, totally way harder than anyone thinks, you know?
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I miss the standard of the New York Philharmonic's playing very much. It has certainly been a high point in my life.
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New York is something awful, something monstrous. I like to walk the streets, lost, but I recognize that New York is the world's greatest lie. New York is Senegal with machines.
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In reality, I've always been an actor - since I was a kid. I did theater growing up in New York. I was always in the plays in school. I was either going to be an actor or an athlete or a soldier. Those were kind of the three paths that I always kind of embarked on.
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A lot of my training is in classical theatre; I've done a lot of classical plays in New York and also at the Guthrie and here and there across the country.
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When I came up to New York to do a play, I passed by Julliard, and I was like, 'Oh I heard of this place.' I applied, and ended up getting in.
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America is our biggest market, and I really do believe if you can make it in New York, you can make it anywhere.
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I was the first Indian model to have a career in Paris, Milan and New York.
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As soon as I began to earn what might be called fairly large sums, I bought a car and began to explore the country around New York.
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I was in the U.S. about 15 years. Especially in New York. And then I came back to Japan.
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When I finished touring 'Fur and Gold,' I was just like, 'What am I doing? What do I have? Where is my home?' I didn't really know where it was, so I went to New York to try and make it there.
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I was born in New York in 1904.
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Any New York group can come to L.A. and sell out every show, but an L.A. group who goes to New York might not do the same because the audience hasn't been introduced to the group.
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I'm still walking around New York like a tourist staring up at all the skyscrapers. I wave at people, I shake hands, I help ladies with strollers.
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I love New York. It's one of my favorite cities.
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I always had this New York fantasy of living in a glass high-rise.
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It is chiefly in New York that I feel induced to urge this, because New York is, by innumerable ties, connected with Europe - more connected than several parts of Europe itself.
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For a production that suggests a mysterious dreamscape, I have a particular affection for the Vivian Beaumont Theater. It is the largest dramatic space available in New York City in terms of plays, although musicals have been done there very successfully as well.
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New York is my favorite city.
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If you look at professional baseball in New York, you can get all 162 Yankee games on television anytime you want. But people still go to the ballpark because they are two different experiences. It's the same with film.
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I flew to New York to do a commercial back in the day when people could meet you at the gate, and the little agent when I came off the plane said, 'Oh, Miss Carr, we are so happy to have you here.' I went, 'Oh, for goodness sakes.'
