New York Quotes
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I refuse to do anything that would help Republicans win a Senate seat in New York, and give the Senate majority to the Republicans.
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I've been in a New York City-based cabaret for the past seven years called The Citizens Band. It's possibly one of the most brilliant things I've ever been involved with.
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If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
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I would love to go to Ladakh - there are beautiful monasteries there and because I am from Himachal. I would love to go to Paris. I haven't been to New York, which I have heard a lot about. And, I would love to go to Kanyakumari. I think that would be interesting!
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My mother couldn't have been happier when I said I was moving to New York.
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It is chiefly in New York that I feel induced to urge this, because New York is, by innumerable ties, connected with Europe - more connected than several parts of Europe itself.
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I was in the U.S. about 15 years. Especially in New York. And then I came back to Japan.
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I would love to do Shakespeare in New York.
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I think what you call 'metropolitan America' - as in San Francisco, New York and Los Angeles - I think there's more awareness of the atypical, while in more traditional Britain, there's the kitchen-sink dramas and thrillers. It's more formulaic.
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It has become cheaper to look for oil on the floor of the New York Stock Exchange than in the ground.
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I think growing up in New York, you see so much at such a young age, there's no bubble to escape into.
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America is our biggest market, and I really do believe if you can make it in New York, you can make it anywhere.
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I love New York. I can walk half a block and I'm at the grocery store. I don't have to drive anywhere.
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When I finished touring 'Fur and Gold,' I was just like, 'What am I doing? What do I have? Where is my home?' I didn't really know where it was, so I went to New York to try and make it there.
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When I came up to New York to do a play, I passed by Julliard, and I was like, 'Oh I heard of this place.' I applied, and ended up getting in.
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When I was living in New York and didn't have a penny to my name, I would walk around the streets and occasionally I would see an alcove or something. And I'd think, that'll be good, that'll be a good spot for me when I'm homeless.
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I started working at the age of 2, doing commercials and modeling in New York.
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When you're on the subway in New York, people literally could be 11-inches away from you, and you can't just stare at them.
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Everyone in New York is fluid and thinking and inspiring each other.
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After 'The Sisters Brothers,' I tried to write a contemporary story dealing with an investment adviser in New York City who moves to Paris. I did all this research, but after about a year and any number of pages written, I was bored stiff.
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New York for me is about work. If L.A. were to become a West Coast version of that, I'd shoot myself. The climate, the lifestyle - it really fits as the yin to my New York yang.
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Me, my literary reputation is mostly abroad, but I am anchored here in New York. I can't think of any other place I'd rather die than here.
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I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when I'm looking out the window, and my bed and couch have nice views of the New York skyline.
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If you want to establish an international presence you can't do so from New York. You need the consecration of Paris.
