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I think that debut albums are supposed to sound sort of raw. You don't want to record 'Sgt. Pepper's' as your first album, because where do you go from there?
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I'm not one of these people who want to tear down our heroes and that kind of thing.
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I think there's this essential human desire to have a unified field theory. Everyone is like, 'I want to unlock the single secret to 'Lost.' There isn't any one secret. There is not a unified field theory for 'Lost,' nor do we think there should be, because philosophically, we don't buy into that as a conceit.
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I suppose the worst case scenario is that people will get to the point where they can't actually afford to make what they want to make creatively. The industry is collapsing.
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Rebellion is what you make of it. When you've been on a tour bus for two months straight, and then you get in your car and drive wherever you want, that can feel rebellious.
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We do not want to interfere with the freedom of press.
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For me, I worked so hard to get to where I am and I don't ever want to lose sight of being grounded.
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Did you ever want something so deeply you were scared to let yourself have it? Like a desire so great you know you will never forgive yourself if you fail. So you hang back. And then you wake up one day and you realize if you don't do it now, it will move out of reach forever.
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I suppose my Iranian identity is one of the driving forces for being a writer: I want to set the record straight about who I really am.
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If I'm scared and I'm a coward, why do you guys want to see me fight?
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The secret to happiness, of course, is not getting what you want; it’s wanting what you get.
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I just want to make everyone happy.
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My existence is about making movies, so I've just got to rock and roll with the punches. You want to make movies on telephones, I'm there.
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I had a very long home birth. She was almost 10 pounds and did not want to come out.
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It's a whole new world out here. The online world is like a blackboard on which, when you write, the whole world can see - and I'm thrilled about this development. I want to make full use of it.
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'Somnia' is a story about loss and, I guess, what you're willing to do to have closure and try and feel whole again. It's a story of redemption in a sense. I don't want to give too much away, but it's a heartbreaking story that's incredibly terrifying.
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I never storyboard. I hate it. I don't understand why so many directors want to make comic strips of their films.
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We do all the appropriating. They do not do any of it down at the White House. They send a budget up here, and we don't have to pay any attention it to at all. We do what we want to do.
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I'm not a pundit. I don't want to be a pundit.
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When you're from another country, you want to spend time with your family. All your family can't come here. All your friends can't come here. You spend so much time here, you want to go there, too.
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We know that we're not supposed to be racially biased, and we don't want to think of ourselves as racially biased, so we tell ourselves a different story.
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Legacy does matter to me, and I want to leave a good one in MMA.
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Denise Mina is probably one of the most gifted writers out there, whether it's mystery or literary or whatever label you want to give it.
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What I want all of you to know is that we are going to bring those who killed our fellow Americans to justice.
