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Typically, when you sell your story rights to a movie production company, they can do whatever they want with it. The writer is typically not involved anymore.
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I just want to get the bad guys but if I can’t see them, I can’t shoot them.
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With art and the work you do, it has to be constantly dictated by what you're feeling and where you want to go with it.
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I just want to compete and do what I love.
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If we do want to do that [ colonise space to survive, ], then vacuous materialism is not going to be enough for us.
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Cheerleader roles are really not my thing. I want things that are weird or not typical.
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I just want to do my best, to be as close to the top as I can, and to get the maximum out of the car.
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Remember the diner in 'Happy Days?' I do want to do a show like that. But an updated version.
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It's tempting to engage in anti-gun polemics and hope that popular opinion will dramatically shift, but it is also likely a mistake. The smarter course for those who want stronger federal gun-control laws anytime soon is legislative stewardship and compromise.
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Anytime I audition for something, it's always a question of whether or not the people I'm auditioning for understand I'm an improviser and I like to do that, and if they like that or if they just want someone who's going to do what's written.
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I was overpowered by being in the world, by other people and their lives I couldn’t lead, their jobs I couldn’t do - overpowered even by jobs I would never want or need to do.
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I suppose my Iranian identity is one of the driving forces for being a writer: I want to set the record straight about who I really am.
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I know more than anyone the divergent views about my father. I want to be judged on my own merits.
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It's the moms who are overaggressive. A lot of times their daughters are very sweet and cordial, and the moms tend to grab you and scream and want to kiss you. You gotta watch out for the moms.
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I just wanted to make a record that wasn't escapism. Like, I didn't want to write another record that was devoid of meaningful content.
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There are evil people, and I don't even want to hear those guys speak.
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I would love to rent a little cottage or cabin in Colorado and learn to ski or snowboard. And on the warmer side, I also want to rent a house in Hawaii and learn to surf!
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I want a trouble-maker for a lover, blood spiller, blood drinker, a heart of flame, who quarrels with the sky and fights with fate, who burns like fire on the rushing sea.
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When I write, I want something to sound good itself.
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It’s just that the magic of someone new never lasts long enough. We only want those we can’t have. It’s those we lost or who never knew we existed who leave their mark. The others barely echo.
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I can understand going for Botox at 45-50, when you want to keep things in place. But I don't understand 25 year olds going for Botox or under the knife. You don't require it. Your skin is fresh, young. Why would you do that to yourself?
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I know just one thing is those guys, KG and everyone, they're hungry. They want it bad. Sam's the only one that's had that, has the ring. Other than him, everybody else over there, we want it bad.
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Geniuses are the luckiest of mortals because what they must do is the same as what they most want to do.
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'Nutty Professor' was me going, 'Say what you want to say, but I can do this, and you can't, and nobody else in the town can do this.'