Lyrics Quotes
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Sometimes when I write lyrics there are images in them, usually on a quite simplistic level, like colors. But most often music comes first and then later I sit down with visual people and we chat about what we want to do. I don't look at myself as a visual artist. I make music.
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Lyrics are really, really hard, I think, or at least they're really hard for me. Some people can channel lyrics faster. I find them very hard to find, so because of it, they take me a long time, and I really think about them.
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Soul lyrics, soul music came at about the same time as the civil rights movement, and it's very possible that one influenced the other.
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We covered 'Hey Jude.' My father panicked, misunderstanding the lyrics and thinking our lead singer was belting out 'Hey, Jew' to a roomful of Holocaust survivors.
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But, Eminem... No, I've loved rap for a long time, especially when it got out of its first period and became this gangsta rap, ya know this heavy rap thing? That's when I started to fall in love with it. I loved the lyrics. I loved the beat.
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I think the melody is the first time I hear in a song and if I like the melody, then I'll pay closer attention to the lyrics.
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In the early '90s, it felt like there was space - there was like an empty feel. There was nobody really doing this. Maybe the Pixies were, a little bit. Their lyrics were also disjointed, more psychosexual or something. That's part of youth, too, maybe, that you just feel like you're doing something different.
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I tend to start with a full set of lyrics, and then my producer, Joel Little, and I work on the music collaboratively.
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I first came across Langhorne Slim when I saw him play live, and he's an incredibly infectious performer. The way he works the crowd is mind-blowing. You can listen to his music without really listening to his lyrics, but it pays off if you do.
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It's a combination of melody and lyrics, not one without the other. It's a confluence of these different elements that makes something powerful.
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I privilege the music over the lyrics.
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The reach of Coke and McDonald's is undeniable, and I'm thrilled these iconic brands are joining forces to inspire local communities through messages of peace and motivation in unique ways. It's an added bonus that they are using the lyrics to 'Rise Up' as a part of those messages.
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We've played it [Milquetoast] a million times. When you play a song that much you sort of become disconnected with the lyrics. It's just another song essentially about people's opinions and being told how to live your life even though they may have less life experience than you have.
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I'm a big fan of lyrics - lyrics are the thing that move me in certain ways.
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Every time I get up in the morning, melodies occur to me and I start trying to shape lyrics to melodies.
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I know that my fans will probably learn a lot about me by listening to my music, if they really listen to the lyrics.
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I don't have any favourite lyrics. Honestly, all of them I love 'em to death - it's the same with songs. I don't have just one favourite lyric, I love them all.
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Barney told me he’d written ‘Liar’ about our manager. I was really shocked when I saw the lyrics. Poor Rob.
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'Despacito' started with a melody hook that I had with my guitar only. The beat for this track came after I wrote the lyrics, which I wrote as if I was writing a ballad.
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Our music may sound big emotionally, but that's more to do with the playing, the level of musicianship and the full-on energy. Often, the lyrics are often quite small and focused.
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When I was working on 'Night Falls Over Kortedala,' I was listening a lot to 'Graceland,' the Paul Simon record. I really got into the lyrics on that album. The opening line is so brilliant, the way he sets the scene.
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Songwriters always reminded me of that kid at school who would go around with his guitar, like, 'Yeah, songwritin' man,' looking wistful. That wasn't me - those kinds of people put me off. In the early days, I'd write a bunch of lyrics and almost look at them as a sort of joke, to make the rest of the boys laugh.
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When I realized I could write lyrics and let someone that I knew listen to them, but not know that the song was about them - say it was a girl. I could write this song about how I feel about this girl, I could play it to them. I just loved it, because all of the words would speak to them. I could see them slowly falling in love with me.
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You can get into a comfort zone writing lyrics, like wearing a mask. But I wanted to feel uncomfortable when I was listening back to the lyrics; I wanted to squirm.
