Space Quotes
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When Russians were having troubles, the Space Shuttle supported the Space Station Mir bringing up much needed supplies and replacements, critical spares, really. That they were able to keep their space station going for much longer than they would have without us. So, I think that shows the value of international cooperation.
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There is a history of thinking about space science from an environmental ethics perspective. And part of what I want to do is turn that back and use that experience to see if it reflects how we think about the Earth.
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We started Vector with the goal of creating a development platform that would foster and bolster the micro space innovations currently underway and bring the promise of space-based technologies to a much larger pool of entrepreneurs who don't need to be space experts.
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Light is something that can really change your perception of space.
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We did get to keep a few choice items. I kept a few pairs of slacks and power suits that stood out. I still have a few outstanding pieces from 'Saved by the Bell' simply because they were from 'Saved by the Bell.' They're vaulted in my storage space.
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That space between the white lines, that's my office. That's where I conduct my business.
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The scenery was very beautiful. But I did not see The Great Wall of China.
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Night comes down and finds you aloneIn a space and time of your own,Lost in dreams in a world full of shadows.Down the street the neon light shines,Offering refuge and hope to the blind,Who stumble in with no thought of tomorrow.Yes I get lonely when the sun gets low,And I end up looking for some winner goal.Yes I should know better but I can't say no.
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Since our primary competitors in space launch are national governments, the enforceability of patents is questionable.
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For Virgin Galactic's customers, it is transportation to the most amazing experience of their lives. I very much look forward to sending some Scots into space.
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I have absolutely no idea about space exploration. I'm a software guy. But because I'm a non-expert, I've been able to bring the software concept of modularity into the space sector, which was never done before.
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I have friends who I consider my peers, who have done amazing work, particularly in the film and television space, who came up as independent artists and who have been - to be brutally honest - much more prolific than I was able to be.
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The expense of getting into space is the rocket launch, the rocket itself. Rocket's right now, commercial rockets cost probably somewhere between $50, or $120, or $150 million per launch. And those are all expendable. That is, you've got to buy a new rocket for each launch. So, that really is the critical part. If there was some kind of really, a revolutionary breakthrough and the price of rockets fell by an order of magnitude, I mean, just imagine what that would do as far as getting access to more ordinary people.
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The drive toward complex technical achievement offers a clue to why the US is good at space gadgetry and bad at slum problems.
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To call a Christian a theist is roughly equivalent to calling the space shuttle Atlantis a glider.
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The space program is not only scientific in purpose but also is an expression of man's insistent determination to do the nearly impossible - to explore the unknown, even at great risk.
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If you hear Thelonious Monk play a run that goes from the top of the piano, OK, he has opened up the Grand Canyon with that. He's the river that's carved this entire space that we call the Grand Canyon. He does that with one run. He lets you know, like, what the possibility of the sound of the piano can do.
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By 2030, up to 10 percent of the world's gross domestic product could be linked to space in some way.
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There should be a place and the space for all pop.
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One of the core reasons for creating 'Station to Station' was to provide a space for exploration and cultural friction between different mediums. It should be natural for mediums like music, film and art to cross over, and we wanted to empower that process.
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No, I've never moved on with a play. I did the original 'Closer' in London but didn't transfer to the West End or Broadway with it. The same is true of 'Iceman': I didn't go to the Old Vic or Broadway with that. I don't know; I feel an allegiance often to the play where you do it first, in the theatre that it's in; you do it for that space.
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I really don't care at all what people call me as long as they're listening to the music and talking about it. They can call me a space-jazz flautist. I don't care at all.
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All architecture has a public nature, I believe, so I would like to make a public space.
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You get this really cool groove when you're playing just piano, bass, and drums where everyone's sort of feeling each other's space, which is the only way to put it, but it really is true, and everyone's sort of sitting in their own pocket. It's kind of jazz-like.
