Kathleen Hanna Quotes
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I don't want to be a historical action figure or treated like I'm dead. Like one of those people where they go, 'Oh, isn't she dead?' And then I walk up, and they're like, 'Whoa.' I can't really complain... because I've made myself into a historical action figure. I was like, 'Yeah, come on in!'
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I just write what I want to write.
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You learn that the only way to get rock-star power as a girl is to be a groupie and bare your breasts and get chosen for the night. We learn that the only way to get anywhere is through men. And it's a lie.
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People can be in a prison of their own mind. [There are] people who don't have their hearts open to other people's ideas, and can't listen to other people's ideas without feeling like they're being slapped in the face. Those people are more in a prison.
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My vision of punk rock was these dudes who were spitting on the audience and moshing. That's why I kind of left that scene. Then I see all these people around my same age or between 17 and 25 that were making music themselves in their own town. They weren't just singing, but creating. I see them putting out this music where there are tons of women involved in the scene and involved in the bands.
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What happens tomorrow is going to happen tomorrow.
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It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
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I wanted to make something that I wanted to hear that I wasn't hearing.
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I really like to talk about my work in a way that is complicated.
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I wanted to say to myself as much as anyone else that we made art.
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I'm totally into Taylor Swift. I think she has super-clever lyrics, and I love that she writes her own music. Some of the themes she writes about are stuff I wish was there for me when I was in high school, and I'm so happy she really cares about her female fans. She's not catering to a male audience and is writing music for other girls.
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There are so many great artists that are doing interesting things, that I don't want to focus on boring people.
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I have chronic - well, I like to call it late-stage Lyme disease and not chronic, because I like to think someday I'll be all the way cured. It took me a really long time to get diagnosed, and I was misdiagnosed for a long, long time. I was very ill during the end of Le Tigre, which was kind of why that ended, amongst other things.
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It's so important for people in political groups to learn the difference between productive criticism and not. When it's about something you can change, it's productive. But if it's just like "You are an evil person", you can't change that. There's no way around that.
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You feel like people are looking at you like, 'I wanted the old Kathleen. Where's the old Kathleen?' I felt that way in the beginning of Le Tigre. I felt people were like, 'You're not angry enough anymore.' People still ask me that. 'Are you still angry?' I'm like, 'About what? About that question? Yes.'
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I especially don't want men coming up to me and asking if sexism still exists. It's like, I'm seriously gonna barf a McDonald's salad on the next person to do that.
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I'm really annoyed by the wave of country music that's just a list of stuff. It almost sounds like L.A. people writing country music, because it's just a list of stuff: 'My pickup truck and my cowboy boots and my Levi's jeans and my girlfriend with the short shorts.' It's so boring!
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Feminism rotates between backlash and interest. And the cool thing about the Internet is that it's allowing women more access to their own history. Part of the problem before the Internet was that we didn't know which books to read. Someone had to tell you.
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If I can't sing them myself, there's nothing better than writing songs for other people and watching them be performed. It's kind of more thrilling than doing it yourself.
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I like loud snare, and I like really treble-y guitars, and that's just never going to change.
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I was in a band in the '90s called Bikini Kill, and we were so freaked out about documentation then, and there was the whole thing, not just about the male gaze, but that people were going to misrepresent you... a kind fear of the mainstream that a lot of us had.
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I think as a culture, we don't like conflict or looking at icky stuff - especially in our downtime.
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That's the great thing about music. You can find some '60s pop record and feel completely invigorated by it, even though it's so old.
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While everyone's experience of oppression is different and complicated and often overlapping, I really believe that if you have privilege, you need to learn as much as you can about the world beyond yourself.