Space Quotes
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WWE is a space where I thrived, and I loved, and I still do. I love connecting with an audience; that is the greatest thing about going back to WWE.
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There's such a magnitude of record taking. It's so exhaustive. Bandwidth and hard drive space are able to accommodate limitless capacities to take a record of anything and everything.
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I'm very proud of Space 1999. Its success paved the way for other sci-fi shows to follow. My hope is that the DVD release will help it reach a new generation of fans.
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The fashion business got boring. I was working with big companies, but the minute it became too formulaic, I got bored with it. I wanted to do a creative space where I could just make stuff - kind of like an atelier, where I could collaborate with other artists, drape geometric shapes on the body, make cushion covers, or whatever.
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I do strive to find projects that are trying to carve out some new space. I enjoy projects that leap away from the crowd a little bit.
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I think the crux of the matter was that if we were going to become partners in, for example, the International Space Station, we had to gain the respect of a country like the United States and particularly its space organization, NASA.
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If I can get some student interested in science, if I can show members of the general public what's going on up there in the space program, then my job's been done.
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Space and time may have a structure as intricate as the fauna of a rich ecosystem, but on a scale far larger than the horizon of our observations.
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I take the invasion of my personal space very seriously.
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I'm not a sketch writer. I know what I am: I have a sensitive comedic sensibility. What turns me on is subtle neurosis. That's my game. I'm not an action writer or a thriller writer and I'm not a sketch writer. I don't pretend to be those things. Then it would not be fun. Then you are in a space where this is painful.
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A luxury meal was prairie sandwiches - two slices of bread with wide-open spaces between them.
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I'm delighted when people respond with passion and readily intensity to my work. Literature is not as the economist would put it a positional good; in other words, there is infinite space for good literature.
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This technology that we call wireless is going to have many contributors, and they are going to be all over the world. There are going to be important companies around the world involved in it. Austin is, and will be, a player in the wireless space. But it will be one of many.
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You can't deny the experience of a store. It's fantastic if you're a global brand and you've got the power or the funds to support that bricks-and-mortar space, but we certainly weren't and aren't.
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I'm just trying to stretch the public space wider and make it more open so that a wider variety of people and faces and stories and perspectives and also expertise can come through. So everything that I do rests on that, trying to support on other voices.
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That which offers no resistance can enter where there is no space.
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I do know that I would never - though you should never say never - work with a decorator, because I don't want to see the touch of someone else in my own space.
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At the same time, new concepts and abstractions flow into the picture, taking up the task of describing the universe without reference to such time or space - abstractions for which our language lacks adequate terms.
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In the tale proper--where there is no space for development of character or for great profusion and variety of incident--mere construction is, of course, far more imperatively demanded than in the novel.
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I'm definitely bicoastal, but I have to say, it's easier to live in New York than in L.A. I feel like people respect other people's space a bit more here. Everyone has the right to that freedom, right? Everyone has that right. It's freezing in New York right now. In L.A., it's sunny. But I would choose freezing over being followed.
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As the romance of manned space exploration has waned, the drive today is to find our living, thinking counterparts in the universe. For all the excitement, however, the search betrays a profound melancholy - a lonely species in a merciless universe anxiously awaits an answering voice amid utter silence.
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It is foolish to claim, as some do, that emigration into space offers a long-term escape from Earth's problems. Nowhere in our solar system offers an environment even as clement as the Antarctic or the top of Everest.
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When you move handheld, and the director of photography has the courage to shoot with no lights, the set becomes a space of creativity and freedom where actors can move wherever they want to move.
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You know what I would like to do: make a film with actors standing in empty space so that the spectator would have to imagine the background of the characters.
