Culture Quotes
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	'Dirtbag' is just the term we use, like a 'gnarly dude' in surfing. Within the climbing culture, it means being a committed lifer: someone who has embraced a minimalist ethic in order to rock climb. It basically means you're a homeless person by choice.   
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	When nature exceeds culture, we have the rustic. When culture exceeds nature, we have the pedant.   
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	Popular culture is inescapable in the U.S. Why not use it?   
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	Our culture says ‘live your dream,’ but God calls you to place your dream on His altar and to keep it there at all times. It is good to have hopes and dreams for the future, but we have no rights. There are no certainties. Any dream can become an idol and, if it does, God will bring it down.   
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	The culture of philanthropy is alive and very well in Africa. International aid strengthens and extends it, but in the communities where I have spent time, it is all-pervasive.   
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	I'm really into beaches, but I also enjoy a bit of culture. An ideal holiday would have a nice balance of the two, but I'm definitely not into adrenalin sports, nor would I enjoy spending a month solid on a beach.   
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	Improving quality requires a culture change, not just a new diet.   
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	I like having a paperback original. And until literature catches up with the culture - the violence, language, syntax, compression, concision, complexity and diversity that the Internet offers - books still make sense.   
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	The O. J. Simpson trial was the launching-off point for a lot of our pop culture and news culture habits and touchstones.   
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	Whites have traded their culture for power.   
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	Courage is like a strain of yoghurt culture, if you have some you can have some more.   
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	I'm very empathic to the construction of masculinity within our culture and how we build these identities up.   
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	A culture that does not aspire to the divine becomes obsessed with the fascination of evil, reveling in the frivolous, the depraved, and the bestial.   
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	I'm interested in the way that the language of labor has been suppressed in our culture, the way it has disappeared from our vocabulary and is never heard on stage. . . . I'm better at writing than I am at organizing [political action]. SLAUGHTER CITY is my small contribution. If it gives people a voice it is worth something. So often we forget what we are no longer hearing.   
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	User-comments culture is not useful for creating original work, I think.   
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	The mass culture of childhood right now is astonishingly technical. Little kids know their Unix path punctuation so they can get around the Web, and they know their HTML and stuff. It's pretty shocking to me.   
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	I'd like to come back to the West eventually. In the end abroad I am always a stranger, active politics in particular is not accessible to me and although people are generous, I can never be on the inside of a culture that relies a great deal on the private space and the family.   
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	I'd like to think that we strive in film and theatre to tell great stories, and I believe in the power of storytelling in our culture.   
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	Before I got married, I never really watched TV. Now, my husband and I watch 'The Bachelor' together. I love 'The Soup' - that's where I get a lot of my pop culture - and 'Chelsea Lately.'   
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	The Dictator' lands somewhere between wan Mel Brooks and good Adam Sandler, whose 'You Don't Mess With the Zohan,' about an Israeli Special Forces soldier at a hair salon, manages to strike better contrasts with vaguely similar culture differences - it's a nuttier movie, too.   
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	We now have a whole culture based on the assumption that people know nothing and so anything can be said to them.   
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	The Italian historian Armando Petrucci has done more than anyone else to revive interest in public writing. His groundbreaking Public Lettering: Script, Power, and Culture surveys the forms and uses of epigraphic writing from classical antiquity to the twentieth century.   
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	When I got near teen age, I was so happy with my friends and the African-American culture that I couldn't imagine not being part of it.   
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	I never enquire into the origin of things, all Origin is a fallacy (in this I follow Nietzsche: origin is a very contested Cartesian illusion of reliability). Everything reaches us filtered through culture.   
 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					