Violence Quotes
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Members of organized crime continue to exploit their victims the old-fashioned way - through violence, threats and intimidation. As law enforcement has so successfully done before, we will employ our own time-tested techniques to bring them to justice to account for their crimes.
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Victory attained by violence is tantamount to a defeat, for it is momentary.
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As soon as men live entirely in accord with the law of love natural to their hearts and now revealed to them, which excludes all resistance by violence, and therefore hold aloof from all participation in violence - as soon as this happens, not only will hundreds be unable to enslave millions, but not even millions will be able to enslave a single individual.
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Does our culture have a need for violence? I don't know. I guess it's a personal thing.
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When I was running Atari, violence against humanoid figures was not allowed. We'd let you shoot at a tank... but we drew the line at shooting at people, with blood splattering everywhere.
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Distinction between person and office is wholly alien to the teaching of Jesus. He says nothing about that. He addresses his disciples as men who have left all to follow him, and the precept of non-violence applies equally to private life and official duty. He is the Lord of all life, and demands undivided allegiance.
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Our struggle consists in showing that our nonviolence is neither a cloak to hide our violence or hatred, nor a preparation for violence in the near or distant future.
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I must declare that it is better for India do discard violence altogether even for defending her borders.
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In my rational mind, I know... that is a very simplistic way of looking at it, but when there is violence of that kind, it challenges my faith. I still can't say that I totally understand why - why that is allowed to happen.
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It was easy to share when there was enough, even barely enough, to go round. But when there was not enough? Then force entered in; might making right; power, and its tool, violence, and its most devoted ally, the averted eye.
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They are always very lax about putting restrictions on violence for children's movies, which I think is much more harrowing than sexuality for children.
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As the ANC, we have got to condemn violence as a method of addressing our differences and disputes amongst us.
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It is no longer a choice between violence and nonviolence in this world; it's nonviolence or nonexistence. That is where we are today.
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I would ask to tweak stuff during the action, because I thought Elektra would more likely express herself with a slap, for example. I wanted to keep the characteristics of my character even during the fights and express the violence as she would do it, not like somebody else would.
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I certainly wasn't able to get it when I was a kid growing up on the Lower East Side; it was very hard at that time for me to balance what I really believed was the right way to live with the violence I saw all around me - I saw too much of it among the people I knew.
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As crime writers, we put these characters, year after year, book after book, through the most horrendous trauma, dealing with grief and death and loss and violence. We can't pretend that these things don't affect these characters; they have to. If they don't, then you're essentially writing cartoons.
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I think people are propelled towards violence, and what propels them is much more interesting than the actual act of violence itself.
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Fear, she's the mother of violence.
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I came in contact with every known Indian anarchist in London. Their bravery impressed me, but I felt that their zeal was misguided. I felt that violence was no remedy for India's ills, and that her civilisation required the use of a different and higher weapon for self-protection.
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Terrorists are desperate assholes who see no institutionalized recourse to address their grievances, so they resort to random acts of violence in order to instill fear into the general population.4
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I was a monster. I don't deny it. I wasn't a monster until a few years ago. But you have to be a monster to survive in New York City. New York City doesn't give a damn about violence.
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Poorly secured nuclear material in the former Soviet Union, or secrets from a scientist in Pakistan could help build a bomb that detonates in Paris. The poppies in Afghanistan become the heroin in Berlin. The poverty and violence in Somalia breeds the terror of tomorrow.
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We're surrounded by violence, and we see so much of it on TV, especially the news programs. We almost become numb. And that forces filmmakers to try to outdo themselves... They say, 'Look what I can do,' and it becomes like a showoff thing. To me, that's ridiculous. Filmmaking isn't a contest!
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My visual landscape as a child was the inside of a lot of these old churches. And the Baroque drama of the things was what I was first engaging with artwise. I'm much more attracted to the aesthetic of religious iconography than the actual religious side. The passion and the blood and the violence and the gaudy side of it I find really fascinating.
