Reality Quotes
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Rightness of limitation is essential for growth of reality.Unlimited possibility and abstract creativity can procure nothing. The limitation, and the basis arising from what is already actual, are both of them necessary and interconnected.
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Christmas and Easter can be subjects for poetry, but Good Friday, like Auschwitz, cannot. The reality is so horrible it is not surprising that people should have found it a stumbling block to faith.
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The Hispanic community values entrepreneurship and family-owned businesses, and we deserve a leader in Washington who is dedicated to creating an environment where our values, our goals and our dreams of prosperity can become reality.
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Sometimes you get caught up in what's going on around you. The reality is that you are just a regular person. At some point, the career will be over, the bright lights turn off. That can come back to haunt you if you're not just a regular guy.
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The Prohibition era is so vividly depicted in 'Lawless.' John Hillcoat does a remarkable job of rooting his film in such a tangible reality.
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It's very irresponsible to deny the reality of a problem to see whether it might stop existing.
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There isn't an amount of money you could offer me to do reality TV. I would rather get my job back on the building site. Or I could own a construction business. Maybe I could retire to my house in Long Island and take up painting, like Captain Beefheart. A crazy recluse: I like that idea.
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Film is a dramatised reality and it is the director's job to make it appear real... an audience should not be conscious of technique.
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Fashion is a language that creates itself in clothes to interpret reality.
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I want to be like the patron saint of reality.
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There was a very consistent creation of a virtual reality, and eventually it collided with our old-fashioned, ordinary reality.
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Reality shows give a great platform to young singers, but kids shouldn't be exposed to showbiz at a very young age.
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In the case of the Web, each of us has slightly more access to a mass audience - a few more people slide through the door - but Facebook is finally a crude, personal multimedia conglomerate machine, personal nation-state machine, reality-show machine. New gadgets alter social patterns, new media eclipse old ones, but the pyramid never goes away.
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In reality shows, you have to perform once and prove yourself, and after that, it is a process to prove yourself every day.
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Blended-reality technology could play in a limited, walled-garden world, but history suggests that it won't really take off until it offers broad freedom of use.
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It's really hard to separate fantasy from reality.
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From 1911 to 1928, the country was officially called Republic of China, but in reality, it was actually split between different warlords. It was one of the liveliest periods in Chinese history. It is therefore quite theatrical, and it is good for making films.
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When you're doing a single-camera show, it's more buying into a level of reality. I think a sitcom, a four-camera show, doesn't require that so much. I think with a film show, you just need the characters to grow.
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At first glance, My Super Sweet 16 appears to be a sugary bit of reality drizzle about some irritating American brats, but the more you watch it the more you realize it’s actually a stonehearted exposé of everything that’s wrong with our faltering so-called civilization.
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I find something funny when it lives on many levels - a level of self-deprecation, of knowledge and heightened reality.
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I want to get away from couture just being done for a picture or for a single moment on the red carpet. I want to try and convince women that couture can be worn in the day and that there's a reality and relevance there, because that's what Mr. Christian Dior wanted.
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The reality is that art has often risen to greater heights than the people who created it. Many flawed artists have created great works of art. You have to decide if you are going to listen to Richard Wagner's music or not because he was very anti-Semitic.
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Most creativity is a transition from one context into another where things are more surprising. There’s an element of surprise, and especially in science, there is often laughter that goes along with the 'Aha.' Art also has this element. Our job is to remind us that there are more contexts than the one that we’re in - the one that we think is reality.
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Novels institutionalize the ruse of eros. It becomes a narrative texture of sustained incongruence, emotional and cognitive. It permits the reader to stand in triangular relation to the characters in the story and reach into the text after the objects of their desire, sharing their longing but also detached from it, seeing their view of reality but also its mistakenness. It is almost like being in love.
