Movie Quotes
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The key to a good horror movie is what happens between the scares. The scares aren't the tricky part. If you're involved in what's going on in between, the scare is going to trick you. If you're not, the best scare in the world will not be scary.
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You can either be a movie star or an actor. I'm an actor.
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If you have a movie that doesn't strive to go to a certain emotional point, you can do anything and it will be fine and funny. But if you have something pretty emotional at its core, you have to make it right. You don't want it overwrought or unearned. Everything has to be moving towards this one thing.
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I'd love to play a villain in a movie, the kind of bad guy you would never think of me being able to play. Like most people, I have a darker side I'd like to explore onscreen.
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I am beyond thrilled to be hitting the road with 'Singin' in the Rain.' As a huge fan of the original movie, the chance to bring this story to life on stage is something I couldn't pass up, and it'll be great visiting some of the beautiful theatres on the tour; some I've been to previously; some are going to be a brand new experience for me.
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I hope that they enjoy the movie. Don't be critical. Don't expect to get the same feelings you got when you watched the series when you were 10 years old. Let your kids see it and experience it on their own.
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But, yeah, I'd love to do something else in someone else's movie.
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You need to come up with a reason to make a movie, separate from the commercial side.
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I thought 'The Bank Job' was a really quality movie.
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I was hoping for it to be possibly a movie career as I still would like to see that happen. I enjoyed making 200 Motels and did try out for a few things when I lived in LA, but nothing ever happened. I'm still hoping though.
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I don't want to go to another roller-coaster ride of a movie. If I want that, I'll go to Magic Mountain. I'm really interested in the young directors that are doing different things in cinema. I think the movies people will hold onto are the Rushmores and the Being John Malkoviches. Those are the kind of films I want to do; that's what I'm passionate about.
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I really don't think there should be a movie about me. That's for sure!
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The one thing I did know - because I've seen many, many of the road trip movies that everyone thinks about - is that death to a road trip movie happens when you spend too much time in the car.
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My folks made me a Jawa costume for the Halloween after 'Star Wars' opened in '77. In '78, when it was re-released, I was hired by the local cinema to be the Jawa: to dress up all summer long, and I could frighten people with my Jawa sounds and my Jawa outfit and watch 'Star Wars Episode IV' all summer long and get paid with movie passes.
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Some of the scariest movies I've seen are not considered horror movies, like 'Gone Girl.' That movie scared me. I can't watch it again.
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As a young actor, I booked a movie in the U.S. I didn't speak any English at the time, so I learned my lines phonetically when I auditioned for it.
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You have to decide what kind of story you're going to tell. For instance I would argue a movie like 'Toy Story 3,' which isn't realistic at all, is really emotional and involving. It just depends. I played this game called 'Superbrothers: Sword & Sworcery EP' for iPad that is totally old school 8-bit, which I found very moving.
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I love these movies where it's just about the film. You don't have my face on the poster. It's all about the movie. I like that.
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With a horror movie most of the actual jumps and scares are made in the edit. It's often not very scary on set and then you watch the film and suddenly it's very scary because the way the jump scares fit together building up the suspense in the audience because it's making them jump when they're least expecting it.
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I've always wanted to play a coach in a movie, just to be the captain of anything in the pirate ship of my bathtub.
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I think if a movie makes you cry, you probably needed to cry.
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I would love to do some kind of mystery movie, or an action flick, something with that combination.
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'Serial Mom' tested really well when we finally got with the right audience. But they would go to some shopping mall in a deep, deep suburban L.A. neighborhood where they knew people would hate, and they just wanted to spend money to prove that people wouldn't like it. The movie was not a success when it came out.
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There's been a bit of confusion about Showscan. The basic problem was, it was film and it was 70 mm and it was a lot of it, so the negative cost was very high, the print costs were very high, and it also required conversion of the projectors and theaters and a lot of costs. I just couldn't get any traction in the theatrical movie industry to do it.
