Movie Quotes
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The thing that makes a great genre movie is one that's not just entertainment, not just horror or sci-fi or whatever. The ones I love are the genre pictures with some subversive message underlying it all.
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After the age of 30 in the movie profession, you're pretty well over as far as the casting people are concerned.
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The best set was probably 'Bloody Sunday.' We had no money for extras and gambled on months of outreach to persuade the people of Derry to turn out and march for us on one single afternoon. And they did. In their tens of thousands. Seeing them march, their patience and their dignity and their commitment, I knew the movie would have a quality of truth.
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I think we just knew that we had a movie when Rachel walked in the room.
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Years ago I was going to play Chet Baker in another movie and I really felt drawn to that character and the script is good and I met with Robert and we seemed simpatico and we developed. But I had a real passion for that role and that brought me deep into that film 'cause I got the sense that Robert Budreau was going to really let me be creative inside this part.
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Alejandro Amenábar is a very interesting filmmaker. I had really liked The Others, which was a movie he made with Nicole Kidman a few years ago. He made a very compelling case about how much he wanted me to be in this movie. Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.
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I love vampire stories. That's why I did the movie. Women especially were taken with that movie-even more so when it came out on video.
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People would say to him, "When you finish a movie, did it come out as good as you thought it was going to?" Or, "Did it come out the way you intended it to come out?"
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John Barry was my hero when I was about 13. His scores to the James Bond movies were the scores of my life back then.
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Were there certain things that I didn't feel were dignified enough to make it into the movie? Yeah.
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My dad took me to my first movie.
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Most people are extras in their own movie.
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You can tell when someone likes you just because you're in a movie, because all they talk about is the movie, and all they talk about is the movie business.
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I don't want to be a part of any Bollywood movie.
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In a Tim Burton movie, you know it's going to be something unusual, or a bit mad. Something "other."
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If the character is true, the movie will fall into place. Or at least that's what you hope.
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We do have a problem in this country. You can either make a movie and ignore that, or you can acknowledge it and say, this is the water that we're living in. You know this - the movie lives in this - it's centered around this particular problem, and I chose to acknowledge it.
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'Brooklyn's Finest,' this is the kind of movie that's why I want to be an actor, to tell real-life stories. This is where I feel my job is, to interpret life.
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A movie is something you see, cinema is something that’s made.
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I've very rarely worked with somebody that had such a clear idea of what Alejandro Amenábar wanted to do and what he wanted to achieve. The guy is incredibly prepared. He was clearly making a movie for himself and his own dream. I just tried to be a part of that dream. It's a rare opportunity.