Movie Quotes
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This is a way for his memory to be honored and have a presence in the movie.
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Actually, when I'm not filming a movie, my beauty approach is really natural - I prefer a bare face that looks really healthy and dewy.
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In the Rodgers and Hammerstein generation, popular hits came out of shows and movies.
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Growing up in Vancouver, it's not like growing up in Middle America or the middle of Canada. It's a very movie town.
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It wasn't a conscious decision to actually make a movie about Guantanamo Bay. It was a device.
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Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.
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I think the superstar thing is completely arbitrary. It's all about who had a movie that did well one weekend. Then, if you have a movie that doesn't do well the next weekend, then, all of the sudden, you've fallen from whatever. So it doesn't really mean anything for me.
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I am in so many movies that are on TV at 2:00 a.m. that people think I am dead.
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I'd love to be able to do a really good English movie.
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Every time I go to a movie, it's magic, no matter what the movie's about.
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All my life, all my life that I can, as far back as I can remember, I saw my first movie when I was six years old. And since then I wanted to do that. I wanted to be a part of that.
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You either connect or you don't connect. It's not the end of the world. It's a movie.
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I get confused between the rock and roll thing and my movie star thing... We're f - -ing movie stars.
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Vicky Donor or Madras Caf, John's films have been path-breaking. I have full faith in the script of my movie, and my director, too, is a debutante. I like the conviction with which they work, and that gives me a lot of confidence.
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Sometimes you just wanna go out, see your action movie, be done with it, come home. You know, and, like, you see 'The Matrix' or whatever, you see whatever film it is, and you're like, 'Oh cool,' whatever.
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If I have an idea I want to put in a movie, I know what camera will make that look best, and I have ideas for future projects and stuff I'd like to build for those. I think it's just part of how I work, though.
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Lotus Eaters is a movie about people who can't really be alone, but they're always alone, really, even when they're together.
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I think there's a danger that some people look at the success of my first movie as a fluke. So I want to make sure that my second film is an even bigger success. Then if I direct my third movie and it's terrible, it'll be okay.
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The spy genre is something which, as a fan of movies, a movie geek myself, I just love that cinematic joy that they bring.
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Any good movie is filled with secrets. If a director doesn't leave anything unsaid, it's a lousy picture. If a picture's unsaid, it's a lousy picture. If a picture is good, it's mysterious, with things unsaid.
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On a television show, you basically make a movie a week. Movies take three months - it's crazy. They're so slow, it's like vacation to me.
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A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later.
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I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing.
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Some people come to you because if you're in their movie, it'll help them raise money. And some people come to you because they think you're the person to play the part.
