Movie Quotes
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Ruby in Paradise and the intensity and quality that I was able to experience on Smoke were equally as important to me as working on this movie every day for three-and-a-half months.
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Rob Lowe, who I thought was really good in the movie [ Bad Influence], had his performance overshadowed by this sort of tabloid approach to him and the movie.
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It's high school, man. They compare it to prison in the movie.
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Kids want you to take them to whatever kid movie is opening, and you just hope it's good because you're going to buy a ticket, no matter what. If it's no good, you kind of drape your arm over your kid so they don't get smashed, and you take a little nap.
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I could see why someone would want to make a website about me, and my quotes. They are all gold. How many people have written, directed AND starred in their own movies. I just don't know why they would want to put words into my mouth, I mean I did write, direct AND star in a critically acclaimed movie.
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Film, as far as I'm concerned, is my area of artistic endeavor, so I never think of a movie that gets released as being all done-it's just when they took it away from you.
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Creamy and leggy, with long azure hair and the eyes of a silent-movie star, she moved like a poem and smiled like a sphinx.
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Any time you do a movie, there are going to be war wounds that you end up getting.
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Acting and recording an album at the same time, that's not my sport. I could write a movie when my attention was paid to that. But I'm good at one thing at a time.
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When I played Dean Martin, he was dead when we made the movie but there would have been nothing better than to spend a week with Dean Martin if I could have.
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I think of making a movie in such a romantic way.
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I think Woody Allen calls it 'anxiety of influence.' When you're in your formative years and you watch a movie that makes you want to make movies... For Wes Anderson, it's Truffaut. I'm sure for P.T. Anderson it was Scorsese and Jonathan Demme.
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You can write 16 plays and not make as much money as you did doing one movie.
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I remember when I first came around, the computer-generated stuff was pretty wicked. I was like, 'Wow!' but I feel like then for the longest time, we saw so much of it, after a while, you might as well just be watching an animated movie.
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Character actors just pile up the credits because you work on a movie for like a few days. It's not like I'm the lead in everything I do - far from it. I'm not spending three or four months on a picture; I'm spending three or four weeks. Sometimes three or four days.
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I don't regret anything. I feel like I've made what I would call mistakes. I picked the wrong movie, or I didn't pursue a character, but everything you do is part of you and you get something from it.
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The script [for the movie based on the life of singer Connie Francis -- "Who's Sorry Now?"] is finished and is in the hands of several artists to see if somebody wants to film at the start of [2006].
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I could be making a lot more money now if I had chosen a different kind of movie, but none of that matters to me... I've done the parts I wanted to do.
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My first review for the TV movie The Bionic Showdown said I was as interesting as a bus ride.
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Usually, you can shoot a movie in 10 or 12 weeks.
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I would love to get with somebody who knows the fundamentals of making the movie, then get my money up and start getting into that.
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What's the shelf life of a 1931 movie? If it still exists, there will always be film buffs and a niche audience who will want to see it. But in terms of people even understanding in common usage, some of the words we use to describe these movies, I don't know how long that's going to last.
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If you're going to be a movie star, you should live like one.
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I always want to make an album that lets people immerse in it, kind of like you get caught up in a good movie.
