Movie Quotes
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When I'm working on the scripts or working with the other actors or rehearsing with the director, and when the director is cutting the movie, and we've shot the scene, the director is not looking at the visual effects.
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If there's anything disgusting about the movie business, it's the whoredom of my peers.
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It's definitely surreal to watch yourself in a movie.
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The process of casting a movie has many complicated variables...
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'Alien?' Oh, yeah. I still get fanmail almost every week, pictures from all over the world on that movie. That's one of the most popular films I've done.
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I think for Wes Anderson and me, the most important thing was James L. Brooks producing our first movie and giving us a chance to come to Hollywood, because without him, we might never have gotten the chance.
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There were a few things that went into it. When you're doing something you're trying to be your audience at the same time, so if somebody tells me that this is a movie about retired opera singers, you think 'maybe I'll wait for it to come to DVD'. You're not rushing off to see it.
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I've had great experiences or joyful experiences making a movie that people found very disturbing.
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I want to go make an original movie. It's all very personal, but I want to define myself a little bit more as a filmmaker and hone my craft.
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I really liked the Jean-Luc Godard movie, 'Film Socialisme.'
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'Rudhramadevi' is a film which falls into a very new genre. It is a historic and biographic genre movie. It should be called a bio epic. I am curious to see how the audiences accept the film.
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Inconceivable!" "You keep using that word. I do not think it means what you think it means.
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The best space movie in my view is 'Apollo 13.' That's just the way it happened.
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A hit for me is if I enjoy the movie, if I personally enjoy the movie.
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A movie star is not an artist, he is an art object.
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Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.
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We actually did a lot of takes on this movie [J. Edgar Hoover]. I never left the set wanting more. That's for sure. I don't know. This was a very difficult character for me and a lot of the other actors here, and at times we went and did 8 or 9 or 10 takes on a single day.
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My family and our neighbors and friends thought of Africa and its Africans as extensions of the stereotyped characters that we saw in movies and on television in films such as 'Tarzan' and in programs such as 'Ramar of the Jungle' and 'Sheena, Queen of the Jungle.'
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I've made a career of being a contrarian. If I'm going to work with Tom Cruise, it's my instinct to be like, 'Well, I'm going to do the anti-Tom Cruise movie.'
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When you are making a movie, there are a zillion cooks in the kitchen, and you don't always get what you want to do. The story can always go in a different direction than what you would like. You compromise, and there is dealing and bickering.
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They are getting tougher and tougher. I don't know if someone will make a movie on us, but they would have a good script.
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If the movie does well, or it doesn't do so well, some movies get great reviews, some movies don't... that's just part of what I do for a living. I just move through all that; that doesn't ever stop me.
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I don't think a movie today that captured all the things that we did in the seventies could come close, because it's like asking to recreate the seventies and the audience sensibilities and that's impossible.
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I love how you can shoot a movie in a month or two or three of four, and it's this encapsulated story that you box up and ship out into the world, and what it is, is what it is.
