Moving Quotes
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With a film, you just don't have time to build sympathy for the character. But I think we're moving away from that in TV. With TV, you have a little more leeway to allow them to rise and fall and rise again and be much more complicated beings.
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Moving. Someone said this to me a long time ago, it's bhuddist saying, I think: 'There is no wasted effort'.
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I got off stage and this guy walked up to me. He's like this ball of energy. His name was Lawrence Mathis, a manager. He said. 'I like what you're doing, and I'd like to talk to you. What are your plans? What are you doing?' I said, 'You caught me at a bad time, because I'm probably moving home in a couple of months.' But I met with him that next Monday and told him what was going on. He said, 'Give me a year to work with you.' I said, 'l don't have a year. I've got six months, at best.' He said, 'All right. Six months.' Five weeks later we got offered a deal from Broken Bow.
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Over a year's time, I felt like I squeezed in five years of touring experience, which was a really huge help moving forward.
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I've made a point of trying not to play the same part, and of moving between theatre and film and TV. The idea is that by the time you come back, you have been away for a year and people have forgotten you. If you like having time off, which I do, that's a good career strategy.
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In the world of opinion writing, there's something called the 'to be sure' paragraph. A sort of rhetorical antibiotic, it seeks to defend against critics by injecting a tiny bit of counter-argument before moving on with the main point.
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The hardest thing is getting fake hit. You really have to sell it. Somebody comes at you and stops a couple inches from your face. You have to react like it's painful. In my training, those were the days I was more sore, doing gut punches or getting thrown against walls. You're moving your body in a way that's not natural.
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Music has to keep moving. But I was lucky. For me there was always something around the corner.
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It is a wonderful, moving, heart-filling experience to sit with the man or woman you love and your beloved children and know that all are happy to be just where they are with each other and loving one another. This doesn't happen very often.
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Not all offers I get are exciting and inspiring. I would rather sit at home and not work than jump into mediocrity for the sake of just moving ahead. If it's a good script, I would sacrifice my personal time and grab it.
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I honestly do think that it is critical that we are continuously breaking records, because that represents us moving forward in exploration.
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I always like to preserve my freedom. I've never really been attached to any place; that's probably why I kept moving. I like to evolve.
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It's in the act of having to do things that you don't want to that you learn something about moving past the self. Past the ego.
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I don't think you can cry if the script is rubbish. I have to feel it; it's as simple as that. It's just like if you're watching something moving, and you feel yourself welling up. It's the same thing. You're just being carried along with the story. There's nothing magical about it. I think I'm in touch with my emotions, and I can't help it.
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In a time where there are divides between cultures and races, I would love to use my position to show that we are all the same inside and working together is the key to moving forward.
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We should treat each other better. Why in the hell would you still have racism? This ancient, moronic hatred? Why does our foreign policy have to always involve so much death and so much death of innocent people as a matter of course, to the point to where no one bothers to say anything. I guess a lot of people don't want to move forward. It's frustrating at times.
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I started playing guitar, like, when I was 17 or so, but where I'm from, you just don't hear about people moving to Nashville and making it. It was such a foreign thing to me. I never knew music was an option for me.
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This is a profession for me, but I started off as a self-publisher working on my own schedule and my own stuff before moving on to graphic novels with First Second Books, where there was definitely a schedule, but it was very different from monthly comics.
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During the slow recovery after the Great Recession, inflation was very low, and it took us a while to get it back moving up.
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As for dialogue, I think it keeps things moving to cut to the chase.
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I would never suggest anyone to stay at a company more than six or seven years. We grow as individuals and the world is moving so fast. Typically, I'll always sell a piece of each of my companies along the way.
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I feel like... I don't have a wife, I don't have a kids, but... I see rappers and I'm like, I know that's fake. I know how much you make, this is all bullshit. But people are buying into it, and you shouldn't have that power. I'm legit trying to make honest moves so that all of us can grow. I want to make a show where my sister can work on and become a producer because she can't get in, no one's leting her. I want to make things where people can actually grow. A place where people can actually be honest.
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Why do people move? What makes them uproot and leave everything they've known for a great unknown beyond the horizon? ... The answer is the same the world over: people move in the hope of a better life.
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Democrats believe they can win at the ballot box by obstructing, and they would rather win the next election than move America forward.
