Ideas Quotes
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He had no idea that grief was a reward. That it only came to those who were loyal, to those who loved more than they were capable of.
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What's beautiful about Godzilla is, of course, it's in every way a symbol of Japan dealing with the aftermath of the atomic bombs being dropped on them, and their ideas of how they're affected by it.
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As for borrowing Mr. Whistler's ideas about art, the only thoroughly original ideas I have heard him express have had reference to his own superiority as a painter over painters greater than himself.
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I used to live at the Cecil Hotel, which was next door to Minton's [Playhouse]. We used to jam just about every night when we were off. Lester [Young], Don Byas and myself - we would meet there all the time and like, exchange ideas. It wasn't a battle, or anything. We were all friends. Most of the guys around then knew where I lived. If someone came in Minton's and started to play - well, they'd give me a ring, or come up and call me down. Either I'd take my horn down, or I'd go down and listen. Those were good days. Had a lot of fun then.
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I could try to incorporate or reflect in my models what it is that an employee, manager, or entrepreneur does: to recognize that most are engaged in their work, form expectations and evolve beliefs, solve problems, and have ideas. Trying to put these people into economic models became my project.
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The writer, the poet, the novelist, are all creators. This does not mean that they invent language; it means that they use language to create beauty, ideas, images. This is why we cannot do without them.
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I think that my preaching style and many of my ideas and ideals about faith are based in both Pentecostal and Baptist background.
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I don't think Philadelphia's challenge is in coming up with great ideas or having great founders. I think the real challenge is keeping them here.
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Killing people because you don't like their ideas - it's a bad thing.
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I love watching other beauty girls on YouTube, so I get a lot of ideas through their videos. I also get plenty of requests from viewers, which is great. I can never run out of ideas!
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There aren't that many things left that haven't already been done, especially with music. I'm interested in ideas that can shake us all up.
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[Antinatalism ] seems to oppose the idea of writing anything at all. To reproduce is to pass on genes. To write is to pass on memes. In that sense, it really is a kind of reproduction, which antinatalism should, theoretically, oppose, or at least which I feel that it opposes emotionally in my own experience.
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I try to push ideas away, and the ones that will not leave me alone are the ones that ultimately end up happening.
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Great people talk about ideas, average people talk about things, and small people talk about wine.
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I only judge people in one way. I like them or I don't. But I don't have preconceived ideas.
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Many U.S. organizations believe that I am being barred from the country not because of my actions but because of my ideas. The conclusion seems inescapable.
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Capital will always go where it’s welcome and stay where it’s well treated. Capital is not just money. It’s also talent and ideas. They, too, will go where they’re welcome and stay where they are well treated.
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There was no Internet, not even many cookbooks except the old reference books. So we would sit down at night, a group of six chefs, and we'd exchange recipes and each talk about how we were doing things. It was the only way to learn new ideas.
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I don't think money can be understood through a lens limited to economics. And most books about money tell you the history of money, the instrument. But money is also an idea, one that we exchange to survive.
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I am pretty sick with myself! It seemed a pretty good idea at the time. Around the time I turned 30, I started to feel very creative, more creative than I had been before which is good and I like that.
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The idea that you're not a writer until you're published is a lie.
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Name the book that made the biggest impression on you. I bet you read it before you hit puberty. In the time I've got left, I intend to write artistic books - for kids - because they're still open to new ideas.
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The way I work with my cinematographer is not based on general principles, but the ideas are triggered by the locations where we shoot.
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People are more interested in reading bombastic ideas, whether they're positive or negative. Part of me has sort of lost interest in doing criticism because of that. I've always realized that criticism is basically autobiography. Obviously in my criticism, it's very clear that it's autobiography, but I think it's that way for everybody.
