Book Quotes
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I get bored easily, so I need to do a lot. I've started a record label, so I get to nurture new talent and talk about music, which is a passion of mine. I've written another book. And I get to come to work and do the TV show, which is always really fun.
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I feel like a divorced wife once my book is published and has left me, and hate to be brought back into intimate contact!
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'Blind Curve,' the book I'm working on now, sprang from a crazy incident that happened to me last year while on my book tour. I was pulled out of my car for a minor traffic violation - an incident that escalated into my being thrown into cuffs and told I was going to jail. Except in my story, the hero doesn't get off as easily as I did.
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The great thing about writing 'Deadpool' is that he can demolish expectations and typical comic book conventions with monster truck force. There are few other characters who can transition so easily from one type of story to the next.
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I wrote the first book, and I thought people would say: 'Separate and unequal schools in the City of Boston? I didn't know that. Let's go out and fix it.'
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Dr. Phil was very helpful and caring. I believe he helped all of us there and watching how to better relate, understand, and communicate with our families and loved ones. Dr. Phil recommended reading my new book.
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Give a man a hoe and he is something to exploit. Give him a book and he is something to fear.
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I have a Guinness Book of World Records entry as the most-watched person on television; now I have a new entry as the only man who has a crab named after him.
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The fans of 'The Hunger Games,' of the book, are very passionate. It's funny: Even at my concerts there are people holding up 'Cinna' signs.
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Beckett's 'Stories and Texts for Nothing' is probably my favorite book.
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I have a theory you shouldn't write a book unless you have something to say.
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On a book like 'X-Men,' you have to stay true to the established fiction, working with editors to ensure continuity, sometimes across multiple titles.
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All the way back in 1999, when I first stumbled upon the idea of a project tracking John Dillinger and Baby Face Nelson and all the major Depression-era bank robbers, I thought the subject was too big to be a single book. Instead, with a friend's help, I pitched the idea as a miniseries to HBO. To my amazement, they bought it.
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My book 'Trust Your Heart', which is the story of my life, will be followed by 'Singing Lessons', a memoir of love, loss, hope, and healing, which talks about the death of my son and the hope that has been the aftermath of the healing from that tragedy.
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I'm not really all that familiar with comic book culture.
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I was a latecomer to romance, although I did read gothics. My father used to work for the 'Fort Worth Star-Telegram,' and their book reviewer, author Leonard Sanders, would pass on the gothics for my dad to give to me since Leonard didn't review gothics. I gobbled up books by Mary Stewart, Madeleine Brent, Victoria Holt and Phyllis Whitney.
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We set up a beta site, a test site, with movie, music and book reviews. If you're reading them and you want to buy a book or a ticket for a movie that's reviewed on the site, you can do that without leaving our site.
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I was pleasantly surprised with 'Salvage.' I went to Australia and New Zealand for the novel and met a lot of people who had experienced the earthquakes in Christchurch. They responded very strongly to the book because they had been through these natural disasters and were trying to figure out how to rebuild.
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I have an idea that the only thing which makes it possible to regard this world we live in without disgust is the beauty which now and then men create out of the chaos. The pictures they paint, the music they compose, the books they write, and the lives they lead. Of all these the richest in beauty is the beautiful life. That is the perfect work of art.
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[John] Calvin is often identified with his account of predestination. Yet that appears in the third book of his Institutes, not the first.
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I was very priggish as a child. I saved up for a book on medieval English nunneries, for which I was despised by my friends.
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The main character in the book is usually someone you're identifying with because the story is being told through this person's mind.
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There is nothing more inimical to writing than the spirit of fundamentalism. Fundamentalism abhors the play of signs, the endlessness of writing. Fundamentalism means nothing more or less than going back to an origin and staying there. It stands for one founding book and, thereafter, no more books.
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I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book.
