Book Quotes
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I have the same fantasy every time I read a book I love, no matter who wrote it, no matter when it was written. That the author has written his book only for me.
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It's a lot of work organizing something, whether it's a show or a book, and I don't want to do it every day.
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Oh! I am delighted with the book! I should like to spend my whole life in reading it.
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I think people are much more concerned about money now. There aren't the big advances of the past. You feel the sense of nervousness about the book industry. It's not like before. Not that I knew very much about what it was like because I was a newcomer to it, but I get that feeling that people are more conservative in their book choices and what they are going to publish and what's a sure sell. As opposed to - just like in the economy - a sense of luxury and sense of risk taking ten years ago.
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I have always loved and avidly read the novels of Jack London, Jules Verne and Ernest Hemingway. The characters depicted in their books, who are brave and resourceful people embarking on exciting adventures, definitely shaped my inner self and nourished my love for the outdoors.
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A western buckaroo, I share his scorn for people who go camping by the book, relying on the authority of some half-assed assistant scoutmaster whose total experience outdoors probably consists of two overnight hikes and a weekend in the Catskills. But we have just had that confrontation. The one who goes by Pritchard's book is Sid's wife, and I am wary. It is not my expedition. I am a guest here.
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'The Slap' is not like anything else. It's an incredibly well-written novel that has been turned into a great and intriguing series that reveals both less and more about each character than you learn in the book. It's a novel that has been given a second chance to live.
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There's a big difference between the National Book Awards and the Academy Awards. At the Academy Awards you can feel the greed and envy and ego. Whereas the National Book Awards are in New York.
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I try to know as much as I can about a book before the beginning, but I never know exactly where it's going to end.
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Before I nodded off, I thought about what my dad had said—that life wasn’t all nice and neat like a book, and life didn’t have a plot filled with characters who said intelligent and beautiful things. But he wasn’t right about that. See, my dad said intelligent and beautiful things. And he was real. He was the most real thing in the entire world. So why couldn’t I be like him?
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I had a lot of issues with the genre, and I probably even had issues with the whole idea of genre. I was coming into it with a certain degree of outsider attitude, and I didn't have a long-term plan. But I think the way it's worked out, it's sort of warped into what I suppose you could say is my own genre. If people like my books, they have some idea of what the next one will be like.
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The mistake so many marketers make is that they conjoin the urgency of making another sale with the timing to earn the right to make that sale. In other words, you must build trust before you need it. Building trust right when you want to make a sale is just too late.
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The genius of Freemasonry is not our Masonic buildings and temples or the trappings of our organizations. It is not our great charities or community activities. It is not our beautiful rituals or their teachings! It is the 'practice of Freemasonry' by the Freemasons. Yet we cannot practice that which we do not know or understand. Thus Masonic education is the foundation for our Fraternity. Brother Carl H. Claudy in The Master's Book says, '.. one thing and only one thing a Masonic Lodge can give its members which they can get nowhere else in the world. That one thing is Masonry.
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I hate books; they only teach people to talk about what they don't understand.
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I like some of Annie Proulx, some of those very brief stories of hers. And I love J. M. Coetzee's Elizabeth Costello. I like Geoff Dyer. I also liked W. G. Sebald, especially his book 'The Emigrants'.
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Book critics certainly are judges who wield a tremendous amount of power in terms of whether or not a book will reach a wider audience. That's one of the reasons why I try to give coverage to books written by Latinx writers; too many worthwhile works of literature do not get the kind of coverage they deserve, and I've certainly seen that with respect to books written by writers of color. But there are some wonderful, diverse writers out there who mentor and otherwise support those voices that often have been ignored by much of the mainstream press.
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We worked with David Thibodeau, who wrote a book about Waco, on which the series is based. He's one of the nine survivors.
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Religion obviously played a role in this book and the previous book, too.
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A man's action is only a picture book of his creed.
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No book can be appreciated until it has been slept with and dreamed over.
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You are always working on your worst book and your best book at the same time. The praise does not make you write better, and it shouldn't make you write worse, either.
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I already optioned a book called The Personal History of Rachel DuPree. I also like The Book of Negroes by Lawrence Hill. And I love all of Octavia Butler's books. She's created some very complicated black heroines with a variety of belief systems. There are many great books out there, but those are a few of the ones that stand out.
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Books can be possessive, can't they? You're walking around in a bookstore and a certain one will jump out at you, like it had moved there on its own, just to get your attention. Sometimes what's inside will change your life, but sometimes you don't even have to read it. Sometimes it's a comfort just to have a book around. Many of these books haven't even had their spines cracked. 'Why do you buy books you don't even read?' our daughter asks us. That's like asking someone who lives alone why they bought a cat. For company, of course.
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And Silence of the Lambs is a really smart book.
