Book Quotes
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I like to think of myself as the people's pop star a little bit. I respect Lady Gaga so much, and I love what she does, but she has this kind of mysterious, out-of-reach thing. I'm just not that - as much as I'd love to have that sort of mystique, I think I'm kind of an open book.
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I flipped through a book on harp seals in the late 1970s and saw images of them swimming in emerald green pools of water surrounded by huge sheets of ice. Right then I was hooked, and I knew this was a story I wanted to do.
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I've been a children's book editor, a nanny, a camp counselor, a barista, a research lab assistant, and a movie theater ticket-taker.
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I research the role, and if it's a literary character, I read the book, and if it's an historical figure, I research documents and biographies. If it's a fictional character, I work off the script.
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Coach Wooden, when he speaks, you listen. I've taken a lot of things from him and his little blue book because to him, it's not just about basketball, it's about life as well.
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Every book I write, the first thing I have to do is get into the voice, and the voice varies from book to book - that's part of what's interesting to me.
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My mouth ain't no prayer book.
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Larry Geller’s Leaves of Elvis’ Garden is by far the best book I have ever read about Elvis. It is emotional, revealing and spiritual, and offers the most amazing insight into the king. I highly recommend this dynamic book.
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'Celebrate' is meant to be a guide to party planning and, as such, it has to cover the basics. If I were to write a cookery book, for instance, I would be compelled to say that, to make an omelette, you have to break at least one egg. Actually, that's not a bad idea. Or maybe I should write a sequel and call it 'Bottoms Up?'
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The book that first made me want to be a writer is Flannery O'Connor's short story collection 'A Good Man Is Hard To Find.'
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With each book you write you have to learn how to write that book - so every time, you have to start all over again.
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When you look at 'Grapes of Wrath,' the weakest moments are those in which Steinbeck is spouting a political idea directly at the reader. The book's real power comes from its slower, broader movement.
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Getting to the point where I was ready to write a book has been about a 20-year journey of being, really honestly, too afraid to try - which I think is pretty common for people who are trying to write a large piece of fiction.
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'Your Erroneous Zones' was the book that went over the top simply because I believed in it so much.
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When I was about ten, I discovered evolution by reading a book by Wilhelm Boelsche and seeing a picture of Archaeopteryx.
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When you're reading a book, you're always looking for the natural place to stop. With a movie, you can't really have that sense of it coming momentarily to a halt; there's pressure to keep the momentum up.
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The same way I want them to take me seriously. I want them to look at my music as kind of like an open book to who I am inside.
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I haven't been the kind of writer about whom book-length academic studies have been written.
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It's really an interesting problem, trying to earn a living and serve art and serve kids. What I try to create are these visual layers so that readers feel the possibility exists that there might be something in the book they never saw before.
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I've been recording audiobooks for more than 30 years. I've recorded over 500 titles on all sort of things. I'm a sort of genre-free recording artist - classics and romances, I just finished a sci-fi book, self help... just all kinds of things.
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'Thunderbolts' I was mostly attracted to because I really wanted to write Punisher and Elektra and Deadpool, who are characters I have always really enjoyed. But the funny thing is that over time, I came to really like Red Leader; he became one of my favorite guys in the book. Sometimes characters surprise you.
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There's a moment of recognition. It's that white-light kind of stuff that just 'works.' I love that. And you know it when it happens, whether it's a movie, music, a building, a book.
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'Marley and Me' was a book I was proud of and believed in, but I thought it would just have a modest audience because it is such a personal story about my marriage and my family.
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I didn't like books where people played on a sports team and won a bunch of games, or went to summer camp and had a wonderful time. I really liked a book where a witch might cut a child's head off or a pack of angry dogs might burst through a door and terrorize a family.
