Book Quotes
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Perhaps it is the positive knowledge that humans now possess the means to destroy their whole planet, the fear that they have in this way themselves become the gods, dreadfully charged with their own continued existence, that has made comic-book and movie myth escapist.
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Sometimes even when the book is over I don't know who's good and who's bad. It's really more interesting, I think, to write about gray characters than it is to write about black and white.
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We book our exports forward for more than a year, and so we have a fixed rate. We do not get the spot rate that we see in the market every day.
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For commercial books in a genre, readers' and editors' expectations may be fairly rigid. Some romance lines, for instance, issue fairly detailed writers' guidelines explaining exactly what must happen in a book they publish (and what must not).
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The saddest thing about myself is that I never read a book. I never got the habit.
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When I finish a book, I always fear that I'll never write again. It takes a lot of time. You always think if you could just do something else - but nothing else makes me as happy.
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Without sounding overly sentimental about the process, I'd say trying to describe how you tend to conceive of a book is like describing how you tend to fall in love.
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This book is gaudy like a gilded cauliflower which smells so bad after a good hot water soaking, like hot chocolate sweetened with sugar beet / incompatibles blended incongruously to no purpose.
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The last book I read was the book I've been rereading most of my life, The Fountainhead.
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'Dear Mr. Henshaw' came about because two different boys from different parts of the country asked me to write a book about a boy whose parents were divorced, and so I wrote 'Dear Mr. Henshaw,' and it won the Newbery, and I was - it's been very popular.
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When I was a child and teenager I read whenever I had the opportunity, but since then I've found it hard to read as much as I'd like, children, work, and pets all providing powerful incentives to escape into a book and a practical reason why I rarely do so.
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I have read every book in the 'Dune' series and every Anne Rice book.
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Every book I've written has been a different attempt to understand something, and the success or failure of the previous one is irrelevant. I write the book I want.
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Having books published is very destructive to writing. It is even worse than making love too much. Because when you make love too much at least you get a damned clarte that is like no other light. A very clear and hollow light.
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No book can teach you about yourself, no psychologist, none of the professors or philosophers. What they can teach you is what they think you are or what they think you should be.
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Great nations write their autobiographies in three manuscripts the book of their deeds, the book of their words, and the book of their art. Not one of these books can be understood unless we read the two others; but of the three, the only quite trustworthy one is the last. The acts of a nation may be triumphant by its good fortune; and its words mighty by the genius of a few of its children: but its art, only by the general gifts and common sympathies of the race.
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While I was thinking about the next film to do, I was also reading this book by Diane Ackerman called 'The Natural History of the Senses' - an anthropological and sociological look at the senses. But it also has this great sense of enthusiasm.
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'MAD Magazine' put out a book that was a collection of Trump cartoons, and they asked me to do the forward because they knew that I was a fan because I'd done stories and tweeted about 'MAD.' So I did the forward and asked them if I could do a cartoon. They let me, and I did caricatures of myself and Wolf Blitzer.
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Could Henry Ford produce the Book of Kells? Certainly not. He would quarrel initially with the advisability of such a project and then prove it was impossible.
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You might have a favorite book or film, but you can only watch or read it so many times before you have to let it sit and then go back and realize it's your favorite still. At some point everything gets a little stale and you have to step away from it.
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When you publish a book, it's the world's book. The world edits it.
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To my mind, the most successful and the best comic book illustrators are those who translate the real world into a consistent code. If you look at Jack Kirby or Steve Ditko, their drawings look nothing like the real world, but they are internally consistent. In terms of a comic book it can work just fine.
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I don't like the idea of a book being a test or being used for a test. The way - in my opinion - to make good readers is to let kids choose their own books and not test them.
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I'm opening a store at the end of the month in the New York meatpacking district. I'm launching a line of bedding this summer, and I am writing a book that will be out next January.
