Disney Quotes
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My ideal beach house has bookshelves full of paperbacks that can tolerate a little sand, a DVD library that includes some Disney classics for the little ones, board games, and jigsaw puzzles. At least one big flatscreen television is a must.
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Microsoft, Disney, Ford, Facebook, and a hundreds and thousands of other companies that affect us daily all began life as baby companies, aka start-ups.
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Disney's House of the Future had the clean simplicity prized in the 1950s as relief from decades of frayed patchwork, jury-rigging, and make-do clutter caused by Depression and war.
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I've been working with Disney all these years doing voice work, and now I'm signed with Disney Fine Arts, doing 'Beauty and the Beast' oil paintings. So it's been an ongoing wonderful job.
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I'm not one of these Disney haters. I'm really appreciative of the foundation it laid for me.
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I love working for Disney! They are my family.
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Being on Disney, a lot of young people look up to me.
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'That's So Raven' was my favorite show growing up! I loved Raven so much! That show is what made me want to be on Disney Channel!
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I did attend a convention with the production company behind 'The Woman' and 'Jug Face,' and I loved it and thought, 'I have to come back, as they are so much fun!' But those tickets are really expensive, and you're buying merchandise, and you want autographed pictures with people, so it's kind of like Disney World.
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I was mentored by great Disney animators at the end of their careers.
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Ariel got me into animation. She was the first Disney heroine that really felt alive. She felt like a real young woman.
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I said to myself as Junction Point embarked on the Epic Mickey journey that, worst case, we'd be 'a footnote in Disney history.' Looking back on it, I think we did far better than that.
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Walt Disney got away with portraying me in the light that they were portraying me in. I have always been a fighter, so... But I have no regrets, man. It's just like God brought me through the drugs, I know he'll bring me through this.
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At Epcot Center the Disney corporation has focused its attention on two things greatly in need of Disneyfication: the tedious future and the annoying whole wide world.
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Honestly, I'm interested in politics; I'm interested in giving back in some form, performing some sort of civic duty. But I'm not exploring a run for governor or senator or anything along those lines. I'm focused on running Disney.
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Yes, iD is a machine vision and sensor browser for the physical world. That's what we have been working on with Coca-Cola, Verizon, Bank of America and Disney to launch content when an image is recognised.
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I used to go in for Disney auditions, and they'd tell me, 'You're cute and nice but just not funny.'
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I first met Walt Disney 25 or 30 years ago.
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There's a classic element that all good Disney movies have. It really comes down to the storytelling, I think. It manages to push all of these buttons inside of us; there's a sentimentality.
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I like old Disney films that have an edge to them.
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Luckily, I went to school at CalArts, and then ended up here at Disney, starting in the Animation Building and working my way up. I started as an animator, and then did character designing and storyboarding, and eventually, directing.
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When I was on stage in the '50s, it was a glory time, a golden time with Tennessee Williams and Arthur Miller. There was real talent. And now, the theater is a little Disney-fied.
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I couldn't have been happier with the relationship we had with Disney, it couldn't have been easier.
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At the end of the day on 'Pete's Dragon,' if we didn't nail something, we could come back and pick it up later. I always knew there was a safety net built in that Disney would not let the movie fail. But in this case, with 'A Ghost Story,' it was all on the line.
