Issues Quotes
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I think the issue of marriage is a vitally important issue on which I would campaign heavily.
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I'd like to continue being involved with issues that animated my time as attorney general - criminal-justice reform and civil rights especially. I don't just want to give speeches; I'd like to involve myself in this work in a systematic way.
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We have a lot of issues with corporate power that have to be addressed. My plan takes us further and it would do the job.
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I'm very hard on myself and I have too many issues.
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All voices are important, and yet it seems that people of color have a lot to say, particularly if you look through the poetry of young people - a lot of questions and a lot of concerns about immigration and security issues, you name it - big questions.
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I've never had issues with popularity. I was always a popular guy... I've always had friends and loved ones and everything, so it wasn't like, 'Oh man, I gotta fill some void that was left by high school.' I had a great high-school experience.
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Truth exists independent of style. It involves all kinds of issues. Properly considered, it's a quest, a pursuit. To say that vérité is more truthful than something that is narrated is just misplaced. Completely wrong. And the fact that people still talk about it as though they're really talking about something... it puzzles me greatly. A moment of reflection about it tells you that it makes no sense!
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Management is clearly different from leadership. Leadership is primarily a high-powered, right-brain activity. It's more of an art it's based on a philosophy. You have to ask the ultimate questions of life when you're dealing with personal leadership issues.
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In college, when a girlfriend asks you to watch a film in black and white, you do it. That's when I discovered a lot of films. I was really obsessed with Bergman, the whole world he creates. One that I always quote a lot is 'Autumn Sonata.' When you see women go through issues with their mom, you realize how right and poignant Bergman was.
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I wasn't raised to not write about issues, and I'm just living in really politically charged times. You know, I'd rather write songs about girls, but it's just hard to do right now.
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Solutions require action, and one of the things I love most about documentary filmmaking is that it allows for the creation of powerful impact campaigns that can help mobilize people around certain issues.
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I think the two biggest issues are world hunger and health, and all the things that stem from bad food.
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Reducing every issue to an argument can become stale but it's often a very good way of clarifying issues.
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As a foreign worker in Haiti, speaking for myself, speaking for the workers, our organization is about 95 percent Haitian, but even foreign workers driving through, we have had very minimal security issues.
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There are issues in this country that a lot of people feel strongly about.
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Whatsoever thy hand findeth to do, do that with all thy might and leave the issues calmly to God.
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I'm very literate on policy. I'm very literate on the issues, and I'm an American first. I've been involved in politics long before I was an actress. I just happen to have a platform now. I just happen to have a voice.
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Psychedelics can carry you farther and faster than most people care to go. Once you get to psychedelics, it's no longer a matter of seeking the answer, you have found the answer. Now the issue changes dramatically, you must face the answer.
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It's misogynistic in nature to try and control a woman's sexual presentation of self. I consider this an issue that is bigger than (one) film.
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Americans have their issues with skin colour, even within the black community, with light and dark skin; it's crazy - but no one's oblivious to it.
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When a politician says, concerning an issue involving science, that the debate is over, you may be sure the debate is rolling on and not going swimmingly for his side.
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I don't consciously start writing a play that involves issues. After it's done, I sit back like everyone else and think about what it means.
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What is striking about such unmediated juxtapositions, and relevant to the way in which at the end of war opened bodies and verbal issues are placed side by side, is that in most instances the verbal assertion has no source of substantiation other than the body.
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Most of the Jewish writer friends I have are American, and I feel closer to them because they're always obsessed with one issue - identity: what does it mean to be an American Jew?
