Subject Quotes
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Whoever insults the message of Mohammed is going to be subject to capital punishment.
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I pay very little regard...to what any young person says on the subject of marriage. If they profess a disinclination for it, I only set it down that they have not yet seen the right person.
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If the subject is no longer living, the immediate question is do you have enough first-person material to really get that story across. You'd like to avoid it just being other people's memories and interpretations.
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I never claim my photographs reveal some definitive truth. I claim that this is what I saw and felt about the subject at the time the pictures were made. That's all that any photographer can claim. I do not know any great photographer who would presume otherwise.
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That subject has lost its one time appeal to economists as our science has become more abstract, but my interest has even grown more intense as the questions raised by the sociology of science became more prominent.
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What I found interesting in dance is the idea that my work has always been dealing with the nervousness between the human subject as a subject and the human subject as a form. And if you look at my dance films, there are always these cuts between the dancer as a form, the dancer as a subject, and this kind of very harsh treatment of the dancer as someone who's actually drawing with their body.
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No real blood flows in the veins of the knowing subject constructed by Locke, Hume, and Kant, but rather the diluted extract of reason as a mere activity of thought.
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The Subject has really blue eyes that twinkle when he looks at someone like she's maybe a little bit insane.
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Unless a subject interests me, I'll pass it over and save my film for better things.
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Life in the ultimate analysis has taught me one enduring lesson. The subject should always disappear in the object.
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My first contact with game theory was a popular article in 'Fortune Magazine' which I read in my last high school year. I was immediately attracted to the subject matter, and when I studied mathematics, I found the fundamental book by von Neumann and Morgenstern in the library and studied it.
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Concentration, itself, is nothing but a matter of control of the attention! Learn to fix your attention on a given subject, at will, for whatever length of time you choose, and you will have learned the secret passage-way to power and plenty! This is concentration!
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I am sticking as closely to my subject as I can; for my subject is precisely this, that it is the masses, the majority.
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By choosing a precise intersection between subject and time, he may transform the ordinary into the extraordinary and the real into the surreal.
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Hurdlers are sprinters with a problem. They're not satisfied just to sprint. Anybody can sprint, some not as well as others of course, but anybody can sprint. Not everybody can run hurdles. There's an extra dimension involved. Hurdlers would make a good subject for a thesis in psychology - they are of apersuasion that just needs an extra dimension.
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AIDS itself is subject to incredible stigma.
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The student is infinitely more important than the subject matter.
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All the genius I have lies in this; when I have a subject in hand, I study it profoundly.
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A sexy picture can come from anyone who forms an intimacy with their subject. You can take a sexy picture of your cat if you want to.
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I don't like any category; categories are not my favorite subject. They're too confining.
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The aim of preaching is not the elucidation of a subject, but the transformation of a person. Our task is the sharing of intense faith and experience.
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The subject itself is of no account; what matters is the way it is presented
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I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
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Food is a very sensitive subject for so many people.
