Question Quotes
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I believe it is not a question of whether or not we support tax cuts, ... It really is a question of what we can afford to do now in the current economic and fiscal climate.
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I answer that question by saying: 'Why Meg Whitman' which is: I'm not a career politician. I spent 30 years in business. I can tell you that people in California have had it with career politicians: they are done.
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I don't think of myself predicting things. I'm expressing possibilities. Things that could happen. To a large extent it's a question of how badly people want them to.
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Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being.
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We’re mortals, and you do question your mortality when something like this happens. But he’s over the hurdle now.
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Nor need it cause surprise that things disagreeable to the good man should seem pleasant to some men; for mankind is liable to many corruptions and diseases, and the things in question are not really pleasant, but only pleasant to these particular persons, who are in a condition to think them so.
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Intercessory prayer for one who is sinning prevails. God says so! The will of the man prayed for does not come into question at all, he is connected with God by prayer, and prayer on the basis of the Redemption sets the connection working and God gives life.
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The question that I started off with was, I thought, very simple. It was just 'Is there a massive black hole at the center of the Milky Way?' But one of the things I love about science is that you always end up with new questions.
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Can you design a Rorschach test that's going to make everyone feel something every time - and that looks like a Rorschach test? It's easy to show a picture of a kitten or a car accident. The question is, how abstract can you get and still get the audience to feel something when they don't know what's happening to them?
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The great background question about the Labour governments of the sixties is whether with a stronger leader they could have gripped the country's big problems and dealt with them. How did it happen that a cabinet of such brilliant, such clever and self-confident people achieved so little? In part, it was the effect of the whirling court politics demonstrated by 'In Place of Strife'.
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I become absolutely reclusive when I'm not working, to the point where I question whether I can actually do it again.
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We on the left have forgotten that the question is not how do you get good people to rule, most people who rule are mediocre at best and usually venal. The question is how do we make those in power frightened of us and not be seduced by formal political processes.
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I think it's possible to have been a happy child, as I was, and still question and push back with regard to societal conventions.
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There is no question that mistakes were made; however, it is currently hard to separate fact from fictions and reality from rhetoric.
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Everyone has determination - it's a question of how you use it. Hers is based on power and success and conquering; she doesn't care what she has to do or who gets hurt in the process. In that way we're very, very different.
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We'd all like to be certain of what we know, but I think the most important question is to ask yourself do you really know what you know?
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I do like things the way that I like them. But I'm trying not to be - I don't wanna be that way. I'm not a control freak; I wanna protect my agency. It's a weird question as a black woman.
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Kids want acceptance from their peers, but in two different, opposing ways: They want to be like everyone else and they want to be different from everyone else. So the question is: How do you reconcile these opposing longings?
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The question always arose from both fans and friends was, 'Have you ever done 'Star Trek,' and if not, would you want to?' And the answer was always, 'No, I haven't, and yes, I would love to!' So now, at the age of 57, I can finally say, 'I'm in the new Star Trek!' And I'm so excited about it!
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Any time I break up with Dawson or question him, viewers turn against me.
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'Chronicle 2' has become this question of, 'How do we all make a movie that we all respect?' And that's true to what 'Chronicle' is. There's no one at the studio who wants to make a bad movie. They all want to make a good movie just as much as I do.
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The most pressing ethical question is to make sure that everything you do from a scientific standpoint is done for the ultimate good and positive issue for the people that you're caring about.
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The barometer for judging the character of people, in regard human rights, is now those who consider themselves gay, homosexual, lesbian. The judgment as to whether you can trust the future, the social advancement - depending on people - will be judged on where they come out on that question.
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The central question driving literary aesthetics in the age of the iPad is no longer 'How should novels be?' but 'Why write novels at all?'
