Dance Quotes
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I had no idea of being a star, all I knew was that I wanted to be a great actress, I wanted to work as an actress. So I thought the way I would be a great actress was to sing and dance first. Lay a foundation - get my foot in the door, and then undoubtedly, of course, I would be offered great roles as soon as I grew up enough to handle them.
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I fell through a stage once. I was doing a truly African dance, and all of a sudden, I hit the ground with my foot and went straight through the stage. I guess they didn't have much money, so the floor was kind of rotting.
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I'm not somebody who no matter where I go there are paparazzi or any of that nonsense. But I have a little window into that world and I can enter it and dance around. I want to be the audience's ticket into the party.
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I don't think what people realize is I've been through years and years and years of training - piano, dance, vocal lessons.
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I don't want to be Mr. Romantic Leading Man. I don't want to be the Dance Dude. I don't want to be the Action Guy. If I had to do any one of those all my life, it'd drive me crazy.
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I'd love to be able to dance like Madhuri Dixit.
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I am humble Abraham Lincoln. I have been solicited by my friends to become a candidate for the Legislature. My politics are short and sweet, like the old woman's dance.
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At school I used to avoid dance lessons. They were the worst.
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I've never seen a single episode of 'So You Think You Can Dance.'
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I'm opening gyms around the world to encourage people to get in shape and feel good about themselves; bringing art through dance to gyms to make my gyms different from other people's.
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My first show was when I was a high school freshman, but it was at the junior class dance. My older friend and bandmate booked it.
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I'm excited to be part of the world's biggest dance show. What attracted me towards the show, apart from its global popularity, was the format of street versus stage.
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If you have to tell a story without speaking, it's sort of like - I come from a dance background, so it's like a ballet where you have to tell a story with just your body. I think that's really interesting to have to tell a story with just your face and your mannerisms, and I'd like to tap into that world.
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If you have a little sensibility or a heart, you have all the reason to be depressed once in a while. But the depression is like a motor for creation. I need a little bit of depression, a bit of acid in my stomach, to be able to create. When I'm happy, I just want to dance.
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A lot of my music that I like puts energy in your body or makes you want to dance or break something or just go mosh or jump around.
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There's just something about dance. It's like a primal thing in all of us.
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How I long to fall just a little bit, to dance out of the lines and stray from the light.
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For me, I actually come from an electronic dance music background: house music, electro house, trance music, even. When I was coming out of school, basically, I discovered Brain Fever, Flying Lotus, J Dilla and all that. That was when I got excited about hip-hop and when the Flume project started.
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I have great editors, and I always have. Somehow, great editors ask the right questions or pose things to you that get you to write better. It's a dance between you, your characters, and your editor.
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Every dance is a kind of fever chart, a graph of the heart.
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In dance you use every party of your body except your voice. I wanted to start acting because I wanted to use my voice.
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Dance, to me, is an expression of who we are.
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I'm the interpreter. I'm the one who takes your words and brings them to life. I was trained to sing and dance and laugh, and that's what I want to do.
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'Only men laugh, only men dance, only men weep' - Saying on Darkover, quoted by Lew Alton
