Dance Quotes
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Probably only an art-worlder like me could assign deeper meaning to something as simple and silly as Tebowing. But, to us, anytime people repeat a stance or a little dance, alone or together, we see that it can mean something. Imagistic and unspoken language is our thing.
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You shouldn't kiss me like thisUnless you mean it like thatCause I'll just close my eyesAnd I won't know where I'm at.We'll get lost on this dance floor,Spinnin' aroundAnd aroundAnd aroundAnd around.
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I can be. I do not normally try to be. In fact, there have been some reviews-which I’ve loved-that said I didn't try to sell my show on sex, that I sang my show. On the other hand, I know I'm cute. I can dance. I don't have a bad figure. I know exactly what I am. I'm certainly no great beauty. I know exactly how far I can go.
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I used to make fun of the kids in school who acted or went to dance class.
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From the beginning, I wanted to make dance music with a human element to it.
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When I am not working, I go to the movies, text my friends, my thumbs are faster than lightening on that keyboard!, write songs, sing, dance, Facebook, Twitter and spend time with my besties. I am also a songwriter and I love to write about my life experiences.
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I was a dance major at NYU, but it wasn't working out. I had friends in the drama department, so I switched.
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Sex is not the ultimate high, but the ultimate high hangs out around sex. The ultimate high is the dance with another person, played so deep down and with such abandon that glee returns to grown-ups.
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Ballet might be too formal of a title for the type of dance I do, but I love to dance. I love to draw and paint; I do ceramics and photography. I'm interested in a lot of creative stuff.
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I think a good study of music would be indispensable to the animators - a realization on their part of how primitive music is, how natural it is for people to want to go to music - a study of rhythm, the dance - the various rhythms enter into our lives every day.
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Before you go thinking I’m some kind of King Canute – it was my stance against programmed music that made our sound the way it was (even if I do say so myself), keeping it a hybrid of rock and dance: the sound of the future. Instead I decided to bury myself in the recording process, becoming the band’s recording engineer.
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Every company has its own texture, vocabulary, and singular place in dance history, and I have always wanted to share my perspective of these world renowned institutions.
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Dance must have a precision without fault.
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Our ancient forebears who learned to synchronize the movements of dance were those with the capacity to predict what others around them were going to do and signal to others what they wanted to do next. These forms of communication may well have helped lead to the formation of larger human communities.
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My parents called me the WB frog. Because when I was onstage, I would do this whole song and dance, but if my parents had a family friend over, I would just go hide in the bedroom.
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Rage is a really fun place to dance from - expressions of anger sublimated into something beautiful are invigorating, especially if you feel like you're telling the truth.
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The way we are dancing in this show is the way you would only normally dance with your boyfriend or your husband. It's very sensual and sexual. You do get very close.
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I grew up studying dance, taking ballet lessons.
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Everyone knows 'Smash' is about musical numbers, and everyone knows we have fantastic dance sequences and great performances.
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And I have been able to give freedom and life which was acknowledged in the ecstasy of walking hand in hand across the most beautiful bridge of the world, the cables enclosing us and pulling us upward in such a dance as I have never walked and never can walk with another.
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I started as a musician, then I was a singer. I sang with the band. Then I was an actor in the theater, TV, films. But I guess I am a song and dance man. It's at the heart of everything I do.
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That's one of the main things I do, work with choreographers. I've been doing it a long time, and it's a real important part of my life as a soundmaker, making music for dance.
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After the Dance was my first attempt at nonfiction. I'd never really participated in carnival, and I really wanted to go. It sounded like a wonderfully fun thing to do. And I wanted to write something happy about Haiti, something celebratory. And going to carnival gave me a chance to do that, because it is one of the instances in Haiti when people shed their class separation and come together.
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I'm a singer-songwriter, but we get loud and we jump around. We have dance moves; we freak out. It's really fun, man!
