Dance Quotes
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I'm a horrible dancer, but I wanted to record songs that made me want to dance.
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I really think music and movement - dance, you know - and literature inform my visuals. I think film is also based in dance. The relationship between me, the camera and the actor is always a dance.
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I've always loved to sing and dance, but the caliber of my talent in those areas obviously is not nearing Patti LuPone or Sutton Foster.
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When all is ready, the leaders walk out to the dance place.
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There is a need to find and sing our own song, to stretch our limbs and shake them in a dance so wild that nothing can roost there, that stirs the yearning for solitary voyage.
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It's something that I learned even before I started acting: the movement, the dance of the body, is very important, and it comes before words.
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Comics brought me to the dance. It'll always be my first loyalty.
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Common sense and a sense of humor are the same thing, moving at different speeds. A sense of humor is just common sense, dancing.
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I've been in dance schools since I was four. I went to the Brit school. I did adverts and plays.
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When two close kindred meet What better than call a dance?.
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Dance is the hidden language of the soul of the body.
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I don't really know any other musicians like me. I grew up backstage with my dad who played in a post-war dance band, so I always feel at home at a venue.
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It's all about the crowd and what type of event I am DJing. If it's a corporate party, I keep things upbeat but light. For late night events, I really turn it up with dance songs and trap hits.
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Originally, 'The Monster' started out as this indie, Florence And The Machine, tribal-y, almost Spanish-esque dance record.
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I played the violin my whole life. I wanted to play from the time I was just a little kid, and I've always loved dance as well. I wanted to make people smile. I wanted to add an extra energy to my playing and make it visual and make it unique and fun.
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Dance is like wine; it matures with every performance.
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I had a babysitter when I was 12 or younger. I had a big crush on her. She was really spontaneous and fun and loved to make us sing and dance and paint. She was the coolest person in the world. I guess I did have my young love. I did everything to impress her. Everything possible. It was just ridiculous.
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I always thought that it was every performer's dream. That's the epitome of being an artist, being able to express song, dance and acting in a live theatre setting and really connecting with an audience on that level.
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For me, dance has always been about self-expression.
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I do what I love to do at the moment. If I wake up tomorrow and decide I want to dance, that's what I'd do. Or design clothes. I think I'd throw myself into whatever I'm doing now. It's not about abandoning what I was doing before, or giving up. It's about knowing that if I die tomorrow, I lived the way I wanted to.
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When I dance, I go to a different side of who I am. I feel like I can solve a problem without knowing I'm solving one.
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Choreography is amazing. I'm still a dancer, yet I transitioned into choreography then as a Creative Director. All of these creative elements are brought out of being a dancer. Directing is something that comes out of understanding movement and choreography. Directing movement is directing a dance piece.
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We dance to fall in love with the spirit in all things, to wipe out memory or transform it into moves that nobody else can make because they didn’t live it.
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Ultimately, it doesn't matter to the world whether you paint or dance or write. The world will probably get by without the product of your efforts. But that is not the point. The point is what the inner process of following your creative impulses will do to you. It is clearly about process. Love the work, love the process. Our fascination will pull our attention forward. That, also, will fascinate the viewer.
