Dance Quotes
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There is room enough indoors in New York City for the whole 1963 world's population to enter, with room enough inside for all hands to dance the twist in average nightclub proximity.
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Education in the art of dance is education of the whole man − his physical, mental and emotional natures are disciplined and nourished simultaneously in dance.
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I spend a lot of time on the 'Glee' set. A lot of time. Luckily we have to dance and rehearse, so we're always moving, but having such a tight schedule can make it hard to find the time to exercise. It's definitely a struggle!
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One of the few things in dance to match the Royal Ballet's curtain calls is the Royal Ballet's dancing.
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My mom taught me every dance move I've ever known to the Motown hits.
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I was always very into heavy metal, and heavy metal is full of emotion and extremes, and I think that's the same in dance music.
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I was always an introvert as a kid. Then, when I first kind of came out as a human being, I used to be one of those guys who'd go nuts on the dance floor, and people would gather around.
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I like to dance, but I'm not a dancer.
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I've actually tried to give Brett Ratner dance lessons, but he thinks he already knows how to.
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I'm the Lord of the Dance! Fuck Michael Flatley, it's me! ...Who has the balls to call themselves the lord of anything, huh? C'mon, last time somebody called themself lord on this planet, they got CRUCIFIED, Michael! And we know where the hammer and the nails are! We could put you up in a couple of minutes!
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I connected very much with all the work of Joan Crawford because she started as a flapper. She used to dance and sing and she was very cute. She had something that was so different from what she is at the end of her life and she started in the silent movies and then went into the talkies.
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He who would learn to fly one day must first learn to stand and walk and run and climb and dance; one cannot fly into flying.
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Its definition can be a bit murky, but to me, native advertising is a sales pitch that fits right into the flow of the information being shown. It doesn't interrupt - native ads don't pop up or dance across the screen - and its content is actually valuable to the person viewing it.
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I crank up the music, and I dance around the house.
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In L.A., people will recognize me for doing 'Girls,' but have no idea that I have ever done anything on Broadway or can sing or dance or any of that stuff.
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Limited points of view let the writer dispense - and the reader gather - information from various corners of the story. It all becomes a kind of dance, with the writer guiding the reader through the various twists and turns. The challenge is keeping readers in step, while still managing to surprise.
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I tap dance.
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Originally, 'The Monster' started out as this indie, Florence And The Machine, tribal-y, almost Spanish-esque dance record.
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You know I very much respect Yvonne Rainer, she is very important - in American dance, the entire development of modern dance, and creating a wonderful physical language.
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Dance is not an exercise. Dance is an art.
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My worst memory is of my first dance lesson as a 14-year old in Prague. My mother put me in this silver and pink lame dress. My hair was all curled, and it was the first time I wore a garter belt. I felt so out of place!
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I always wanted to have a scenario where the guy didn't have my number, but I had his. What if women make the first move, send the first message? And if they don't, the match disappears after 24 hours, like in Cinderella, the pumpkin and the carriage? It'd be symbolic of a Sadie Hawkins dance - going after it, girls ask first.
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Why am I afraid to dance, I who love music and rhythm and grace and song and laughter? Why am I afraid to live, I who love life and the beauty of flesh and the living colors of the earth and sky and sea? Why am I afraid to love, I who love love?
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I know my body. What happened is that I got so caught up in the applause I forgot how I should dance. All my life I've been what others wanted - in dancing and in life. Now I'm doing it my way.
