Dance Quotes
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Dance is very, very old. With Louis XIV at Versailles is where ballet started.
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When it's wet, you're much more tense on the steering wheel, you have to dance with the throttle and the brakes more. Each lap is a different scenario, so you're really on the edge of your nerves. One mistake could cost you the entire race.
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When I was a little kid, I took tap and ballet. I've always loved to dance. I'm a rhythm machine.
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I'm an actor. I'm a singer. And I dance. To be able to do all these things is amazing. And to have similar-minded people all around you, doing what you love, is even more amazing.
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Dance is low on the totem pole of the arts, because you're not left with a painting... a book that will stay there, a score you can read.
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Smooth iceis paradisefor those who dance with expertise.
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I can dance - I can dance a little bit. I can move. I don't - I'm not a - I don't proclaim to be a dancer, but I can move. But instruments, playing the drums, I probably play the drums better than I walk, better than I do anything.
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Hearing the way we can dance in and out of a few different worlds and keep the music credible. It just feels like a natural progression to take this to the bigger leagues.
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When you understand how to do that dance, when the photographer says, 'Hold it, do it,' and you know you're getting it right, oh, the fun. It is fun.
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The most valuable thing the Psalms do for me is to express the same delight in God which made David dance.
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I said that I’m a fairy… and I prefer to dance and fly with the butterfly but they made me talk and walk - and I hate walking and talking.
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As long as I have my feet, I can dance; you know what I'm saying?
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Among the southern tribes, on the contrary, hats were sometimes worn in the dance, although this was not considered in strict accordance with the doctrine.
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I really think music and movement - dance, you know - and literature inform my visuals. I think film is also based in dance. The relationship between me, the camera and the actor is always a dance.
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Martin Joyce is a beautiful dancer and an amazing choreographer. He choreographed the Mulberry dance film I was in, 'From London with Love.' A truly talented man.
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I've been in dance schools since I was four. I went to the Brit school. I did adverts and plays.
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Being called a dance photographer makes me bristle. You might say that dance is my landscape. The root of my interest is movement or, rather, how movement can be interpreted photographically, and dance provides a perfect opportunity for this.
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Don't forget the late '70s was dominated by people like the Queen of Disco Donna Summer and everybody who was in that bag. We were already in dance mode, the Bee Gees were out with the most fantastic record the world had ever heard, so the world was in the mode. Anything outside of that mode was secondary.
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I think the most important thing about dance music is the connection. If you put 80,000 people together, no one knows each other, and once the music starts, everyone loves each other. That doesn't happen with a lot of genres. If you go to a hip-hop club, it's not like when one songs comes on that everyone suddenly loves each other.
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What we want from modern dance is courage and audacity.
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I took several years of dance lessons that included ballet, tap and jazz. They helped a great deal with body control, balance, a sense of rhythm, and timing.
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Music is good when it makes you dance. Music is great when it makes you who you are.
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I think the reason dance has held such an ageless magic for the world is that it has been the symbol of the performance of living.
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When your young and hungry and nobody's ever really accepted you because of your color and class, the hurt of your own family having cast you out in the first place still inside you somewhere, you dance hard because there is no other way to live, and when opportunity knocks its more of an abduction than a housecall.
