Song Quotes
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When I'm writing a song, things are always popping into my head, it's not so direct. It feels more like I'm in a room and there's this whole big jumble of clothes on the floor and it's like choosing what to wear. There are a lot of different things in there and you kind of pull something out and think, "No, that's not right," or you're like, "Yes I'll put this on with this."
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I'm not deciding what the artist is going to write about because it's the artist. They're gonna have to sing that song for the rest of their life. When they're old and they're 80 and they have their show in Vegas, they're gonna have to sing that song for the rest of their life.
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Drop out of school before your mind rots from exposure to our mediocre educational system. Forget about the Senior Prom and go to the library and educate yourself if you've got any guts. Some of you like Pep rallies and plastic robots who tell you what to read. Forget I mentioned it. This song has no message. Rise for the flag salute.
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In my opinion, it's all about the song and the performance, not the gender.
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If you want to put out a song that you wrote yesterday, tomorrow go on Twitter, type in a new URL, and give it to the people!
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I think the reason I was 23 before I ever wrote a song was that I was afraid of testing myself. What would I do if I discovered I didn't have anything to say?
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There are so many songs that have become massive hits merely because the video is great, while the song is pretty rubbish. From that point of view, I think I've always preferred to listen to a song rather than look at it.
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I don't feel any obligation to make my intentions for a song accessible to a listener or an audience. I'm not interested in conveying anything to them so much as what's best for me.
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When I first organized the King Cole Trio back in 1937, we were strictly what you would call an instrumental group. To break the monotony, I would sing a few songs here and there between the playing. I sang things I had known over the years. I wasn't trying to give it any special treatment, just singing. I noticed thereafter people started requesting more singing, and it was just one of those things.
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I just get an idea and then all of a sudden I've got a song.
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I would say Tracy Chapman was the first time I obsessed over an entire record. I knew every song; I knew the exact amount of seconds between each song. That's the level of obsession that I had.
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There was a time when we were in a van and handing out the CDs at Warped Tour. We had a two-song EP that we were just handing out for free just to promote ourselves. That was on the 'Waking the Fallen' record, and we were just going around and handing out the CDs and stuff like that.
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New York was the inspiration for The Heart of Rock and Roll and Workin for a Livin. There are a lot of songs in the streets of New York.
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I think being on 'Glee' is such a great experience, but I think the best part was when I did 'All By Myself', because I love that song.
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A singer must be able to sing any kind of song
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A lot of times when songwriters get together and write a song... somebody will come in with a hook and a lot of times they come out with something that sounds a little crafty.
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All you gotta do is think of the song in your head. And it doesn't matter whether you can play it or not, you can get somebody to play it. With songs I've written, there's a song called "The Statue", which I can't play. There are songs that I've written that I've actually just hummed on - there's a song on one of the albums they have there on the Internet called "My Love Was True" and it's almost operatic. I can't play it. But I can sing it.
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I could write all songs all day long about what I think about the music industry or music in general. Sometimes I gotta be like, "Let's write about something else." You don't want to say the same thing over and over again. In a lot of ways, I look at records as a year or two of my life encapsulated in songs. They're almost like journal entries.
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I love Florida Georgia Line. I love 'Round Here.' So if a fan wants to listen to that, and if a fan that wasn't listening to country music before is listening to 'Cruise' on Pandora, and after that a song by George Jones comes on, they may have never heard George Jones before. I think it's a good thing for the genre.
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I never enjoyed making videos, even though the 'Total Eclipse' video was nominated for a Grammy along with the song. We lost out to the 'Billie Jean' video.
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We titled it, 'You Should Be Here,' for one, because just how special that song is, and I think it kind of sets the tone for this album. I've established that I like to have fun, but this is a little more than that - this album has got some fun stuff, but it's also got topics that I haven't gotten a chance to touch, and I'm so excited about it.
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A song without a hook is like a train without rails. It skitters all over the place, bangs into everything. Boom! Crash! There goes Grand Central Station. Crushed by a train.
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Grow strong, my comrade … that you may stand Unshaken when I fall; that I may know The shattered fragments of my song will come At last to finer melody in you; That I may tell my heart that you begin Where passing I leave off, and fathom more.
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I'm just writing love songs. I'm not trying to be pop. I'm not trying to be jazz. I'm not trying to be anything. I'm just writing love songs. And everyone loves a love song.