Song Quotes
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John could write a mean song. He had a lot of venom in him. Whereas I had a happy childhood.
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I sang the 'Sunday Night Football' theme song two years in a row - my first part in American culture, although I still don't know anything about American football.
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From the very, very beginning, we made the decision that 'Tarzan' wasn't going to sing. My co-director, Chris Buck, and I said to each other that we couldn't imagine a half-naked man in the jungle simply bursting into song.
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The song Dakota was first written in Paris. I was doing a promo trip. It was snowing and the hotel room was really cold and boring and for some reason I just had a go of the guitar and the song came pretty quick.
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I was thinking of the Four Seasons, Frankie Valli and the Four Seasons, and when I was thinking "Uptown Girl!" I was trying to sing like Frankie Valli. They had a song called "Ragdoll," which was about a poor girl and a rich guy. So I just flipped it around and made it about a rich girl and a poor guy.
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'7 Years' is, you could say, a song that eats its own children. That we need to get past the song and get to the person and get to the record and get to the music so we can keep releasing.
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It's important to recognize when a song remains important to you.
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I can't start my day without hearing 'Waiting On the World to Change' by John Mayer. It's my alarm clock and my favorite song.
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I've come to appreciate how special a song is compared to other art forms, because you can carry it around in your head and your heart, and it remains part of you. It just comes as natural as a bird to me, always did. It's the way singer-songwriters make sense of our lives.
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There's a song called 'The Lights of My Hometown' that goes back to me growing up a regular kid. I mean, I lived in a town that I loved, but was too small for the dreams I was dreaming. You leave thinking the world has a lot more to offer than your hometown, only to realize years down the road that no matter where you grow up, you will never be able to recreate the innocence and feeling of 'home' anywhere else in the world. No matter who you are, or where that little town is, that's something we all have in common.
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The Ruts were a great punk rock band from England whose songs were as excellent as their time together was short.
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In the media, a reviewer has his personal vision but it's passed along to a million readers or whatever. He might think that this particular song sounds like Jo Blow. Or like a Bo Diddley record that he heard six years ago. But the artist who made the record may never have even heard the Bo Diddley song. We all respond differently.
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My biggest song in the world is 'Nothing's Gonna Change My Love for You.' All over the world, it's number one on the whole planet.
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A lot of philosophy is bull***t, but a lot of it is what we write songs about too. And it's organizing your thoughts, organizing your intellect.
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If I found a cure for a huge disease, while I was hobbling up onstage to accept the Nobel Prize they'd be playing the theme song from 'Three's Company'.
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I wish I could end every rap song I didn't like with a buzzer.
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When you are happy it is harder to write [songs].
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When 'Hide Away' first started gaining a bit of momentum, I was visiting at least two radio stations per day - sometimes in different cities - to spread the word about the song. It was a hustle, but so worth it.
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It's about giving the people what they want. So many people have told me that they've made love to my records so what I've delivered this time is an album about sex. Pretty much every song has that theme. Straight no chasers, it's booty music!
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If you can write a song that makes people have emotions and show their feelings, that's a powerful thing and a beautiful thing.
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More than 30 years ago, in Washington, D.C., I secured a copy of a single by a Los Angeles band called The Bags. The two-song 7-inch, released on Dangerhouse, had a girl on the cover who looked right at you with huge eyes. The songs, 'Survive' and 'Babylonian Gorgon,' were great and made many of my mix tapes.
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I get to sing a great song called "Proud of your boy" which was by Alan Menken and Howard Ashman and they were so hurt when it had to be cut from the film Aladdin. They were not happy. For the sake of the film, they had to streamline everything.
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The sentences I write have their roots in song and poetry, and take their bearings from music and painting, as much as from the need to impart mere information, or mirror anything. I am not a realist writer, even if I seem like one.
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If my role in a film is meaty, and I get a good song along with it, then why not?
