Song Quotes
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Creating a decent pop song is a challenge - and occasionally, once in every decade - it's kind of fun to do that.
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It's about giving the people what they want. So many people have told me that they've made love to my records so what I've delivered this time is an album about sex. Pretty much every song has that theme. Straight no chasers, it's booty music!
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I love to sing old Motown songs to myself, or some Patti Smith Edith Piaf or Billie Holiday. That gets me in the mood for singing.
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And then, I was thinking of doing a record just like starting with voice, because I did this one song that was just kind of a cappella, and I did it for this art piece I did where people could come and play music to go with a voice.
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When I was thinking of video ideas for this song, I wanted it to reflect the energy of the music and express the big eye roll that 'Sit Here and Cry' is. I had a very specific visual vision for it, and when I saw Sam Siske's reel, I knew he was going to get it.
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If you listen to one of my albums, you can tell I do a lot of different things. In the case of 'Vincent', I thought of his picture 'Starry Night.' It was a beautiful road-map for a song. I used a lot of imagery from that painting.
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There should be a children's song: 'If you're happy and you know it, keep it to yourself and let your dad sleep'.
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Falling in love is awesome, but I'm never drawn to happy songs per se, so whenever you sit down to write a heartbreak song and you're happily in love, it's like, 'OK, now I have to go back to a sad place to get something good.'
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Both Springsteen and Michael Jackson, who had these huge productions, could always scale them back down to just a song and a melody. All of that influences me. I also try to be a fictional writer, and sometimes I get close, but the things that resonate the most with me - and with everyone else - is what's real.
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I listen to everything. As I told you, sometimes I just want to shut off from music and be silent. Then I play a song and it's refreshing. It's almost like initializing yourself. Recently I was in South Africa doing a press day for my tour. I listened to this band called "Freshly Ground." They were doing a live gig there so that's the last thing I've heard.
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In fact, many musicians are the happiest when the artist and audience re-interpret or re-imagine the content of the songs.
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I always thought that it was every performer's dream. That's the epitome of being an artist, being able to express song, dance and acting in a live theatre setting and really connecting with an audience on that level.
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I had to be at least 8 or 9; I was listening to everything on the radio. You name it, I heard every song.
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I don't have certain kinds of fatigue. My focus stays strong - I can work on a song for six or seven hours in one day and not get bored or tired of it.
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Every song on '10 Day' is a completely different sound - the cadence, the flow, even the production - because I like so many different types of music and because my taste is so refined. 'Acid Rap' is another tape where every song sounds different.
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I am always interested in making myself as uncomfortable as I can. Sometimes I ask myself, 'Can I stand onstage and sing this song and sell it?' Sometimes I can't. In a room, you get to pretend a little bit and step outside of yourself.
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I regard singing pretty much like acting. Each song is like playing a different role. I get very involved with my material. I feel a responsibility for the emotion it brings out in the listener.
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Part of the joy of music is listening to lots of different kinds of music and learning from it. Specifically for me, I like writing songs that move me, and what moves me are beautiful songs on the piano or the guitar and really, really heavy music.
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The beauty of music is that everyone hears it their own way, and every song you hear leaves an impression on you that alters the way you hear everything from that point on.
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Be encouraged. Your heart is writing a poem on the world and it's being turned into a thousand songs.
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...for the first time in my life, a voice went off in my head:'You have no power over what happens in your life. Drugs dictate exactly what you're going to do. You've taken your hands off the steering wheel, and you're going wherever the drug world takes you.' That had never changed. The feeling would well up inside of me, and no matter how much I loved my girl or my band or my friends or my family, when that siren song 'Go get high now' started playing in my head, I was off.
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The whole of life itself expresses the blues. That's why I always say the blues are the true facts of life expressed in words and song, inspiration, feeling and understanding. The blues can be about anything pertaining to the facts of life. The blues call on God as much as a spiritual song do.
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To summarize, the particular song a male sings, and the behavioral responses of females to song and morphological signals, are not genetically inherited in a fixed manner but are determined by learning early in life.
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Basically, in 'American Pie,' things are heading in the wrong direction. It is becoming less ideal, less idyllic. I don't know whether you consider that wrong or right, but it is a morality song in a sense.
