Song Quotes
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We'd be making sail in the dawn, with a fair breeze, singing a chanty song wid no care to it. And astern the land would be sinking low and dying out, but we'd give it no heed but a laugh, and never look behind. For the day that was, was enough, for we was free men - and I'm thinking 'tis only slaves do be giving heed to the day that's gone or the day to come - until they're old like me.
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I like the idea that within the structure of the song, some kind of built-in improvisation keeps them fragile and in their moment, so that I'm not projecting so much, so that my perception of the song doesn't interfere with what its real body is. Sometimes it's like telling a story that I heard in passing, and I don't want it to become completely mine.
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When I start working on a batch of tunes - like roughly 10 solid tunes - I always know there'll be another 10 to follow, because for every song I invest a lot of time in, there's another song waiting behind it.
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If you listen to the radio for a whole hour there's maybe one decent song. The rest is mass-produced garbage.
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Perhaps it would have been easier if I said that not being able to find something is like suddenly not remembering the words to your favorite song that you knew by heart. It’s like suddenly forgetting the name of someone you know really well and see every day, or the name of a television show you watched for years. It’s something so frustrating that it plays on your mind over and over again because you know there’s an answer but no one can tell you it. It niggles and niggles at me and I can’t rest until I know the answers.
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I've never been more moved by a voice than I have been by Roy Orbison. I loved him personally, and I loved his voice. I think of him often and frequently listen to his songs.
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I say, 'Yeah, Taylor Swift.' I think she is a smart, beautiful girl. I think she's making all the right moves. She's got a good head on her shoulders. She's surrounded with wonderful people. Her songs are great. She keeps herself anchored. She knows who she is, and she's living and standing by that.
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Almost all the shows I've been connected with have been extremely well cast. They're playing the show, not just doing the songs.
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You have to constantly arrange yourself around them, and that can take up a lot of energy. I mean, you don't go, "Why don't you cook dinner tonight, dear, for a change, instead of writing a great song?" I loved what [Paul Simon] did with words. But I wanted to do some more of that, too.
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There is the "you" that people see and then there is the "rest of you". Take some time and craft a picture of the "rest of you." This could be a drawing, in words, even a song. Just remember that the chances are good it will be full of paradox and contradictions.
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Chimes?" Phyllis asked. "Chimes to call a lover? Chimes with the voice of a bird trapped in them? Chimes that play you whatever song you most desire to hear?" "No thanks," said Nick. "We've got MTV.
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My songs always speak of love, that's the way I like them.
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I'm a panicked karaoke participant because I am always searching for a song in the moment. I don't have my go to song. I will be driving along and I will be like, "That should be my karaoke song!" and then I forget what song it is.
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Depending on the story, I don't feel that the music is disappearing. I feel if the story demands songs, they'll have songs. If it doesn't demand songs, you'll have underscore.
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Because of my song 'Sam Stone,' a lot of people thought I was interested in writing protest songs. Writing protest songs always struck me as patting yourself on the back.
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The best way to write a song is to think of something else and then the song kind of creeps in.
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If you asked me to write a rock song or a rap song, I couldn't do it because they're not in my fingers.
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Part of my growth as a producer was not just about making beats but also helping in the process of inspiring the song and making the song the center.
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The forest is peaceful, why aren’t you? You hold on to things causing your confusion. Let nature teach you. Hear the bird’s song then let go. If you know nature, you’ll know truth. If you know truth, you’ll know nature.
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I'm able to come and do a new sound and grow even more and make greater songs because my song-making abilities have grown.
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Once you've heard the joke, it's not funny anymore, but it's the way it's told. And I think that's the same with the music: The reason some of my songs have lasted longer is there's a lot of stuff packed in there. You want to hear them more than once.
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As a songwriter, you're allowed to write anything, and as a person, I am all colors in the rainbow. I've been through everything, you know, so I can write a positive song like 'Better Get to Livin'' because that's my attitude. But that doesn't mean I'm happy all the time. You can't be a deep and serious songwriter without feelings. You kinda have to live with your feelings out on your sleeve and get hurt more than most people. The fear I might get hurt means I might not be able to write another song.
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I think it shows when you have to work too hard on a song.
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I think it's rather a waste of time endlessly singing the same songs every night for a year, and it's just not what I want to do.
