Song Quotes
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I'm from the disco era where everybody thought they were John Travolta... What song is going to get me on the dance floor? Anything from 'Saturday Night Fever,' and you're up there like a demon.
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Impersonating Celine) 'Zis next song iz for all ze parents in zer audience, and also zer children'...(looks puzzled).... that's just everybody, right?
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I write with music. I write scenes in movies that hopefully can earn the use of some songs that are powerful to me.
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I consider the piano my 'main' instrument and have been playing for as long as I can remember. It seems to me that I might have come up with something resembling a song as early as 4 or 5 years old.
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I know that often times a lot of people who work in music, whether they be labels and so on or even artists, want personal recognition. We want to be recognized for something, for what we did. I'd rather my song be recognized for what it's doing and that's important. It's not so important how many people know me.
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In heaven, all ordinary thought is higher and more melodious than Milton's song. Then, would he add another verse to any strain that he had left unfinished here?
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I grew up watching 'Grease,' and 'Grease 2.' I fantasized about walking through school halls and busting out in a song. At that time, I was too much of a chicken to do so. I'd love the challenge now.
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I couldn't imagine having to write a paper and have to think about what song I am going to sing.
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A friend of mine called and said they're interested in having you do a song for the new Pokemon. All my kids are grown up, so I'd heard of it, but I didn't really know what it was.
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I became inspired while I was listening to music on the radio. I felt the music in my head sounded better, so I turned off the radio and scribbled it down on a piece of paper. I remember that it was in May. People liked that song. They said it was beautiful. I felt overjoyed.
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I try to choose the songs that really are basically coming from my heart. I think that through the songs that I select, people know what's going on in my life.
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I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or 'Sherry,' I should be able to do that. Or a Dylan song.
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You have record companies that sign acts that they think are great, and then they never do anything. Acts that they don't think are really going to do much end up having a career. I don't think anyone really knows what it is that drives somebody to get on their computer and want to download a song.
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I enjoy the process of composing music. The first time I hear a song, it has to bring a smile to my lips. You have to tap your feet and be able to sing the song.
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This was when she asked him whether it was true that love conquered all, as the songs said. 'It is true', he replied, 'but you would do well not to believe it.
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I got a great kick being in the Warner Bros. studios - that was really cool. I kept singing the 'Looney Tunes' theme song all day. I'm sure they haven't heard that one before.
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Every song I write is autobiographical and is about people, and that's one of the things that gets complicated. You have to decide where's your place as a songwriter.
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I wrote that song for my wife, and it's what some guy who's sitting under a tree would be singing to the woman of his life, telling her how wonderful she is. To me, that's more lasting than something that sounds like it belongs on a movie soundtrack.
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Each song is a small universe to me. Each song has a story of its own. Each has a full life to express in order to be complete, so it often happens that the building to a big crescendo feels right in the recording or writing process.
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The vocal arrangements are a big part of the formula for a Bad Religion song - layered harmonies and background vocals. So when I start to describe the elements of Bad Religion's sound, it starts to sound like a Christmas choir.
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When they turned off, it was still early in the pink and green fields. The fumes of morning, sweet and bitter, sprang up where they walked. The insects ticked softly, their strength in reserve; butterflies chopped the air, going to the east, and the birds flew carelessly and sang by fits and starts, not the way they did in the evening in sustained and drowsy songs.
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What I don't like to hear in music is something has not been thought through: that a sound is just there randomly. I want to make sure that every single little noise that's in my song is there because it's supposed to be there.
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I came across 'The Song of Achilles' by Madeline Miller in one of the most romantic ways one can find a story. I was digging through a pile of used books at my local library when my hand gravitated toward its brilliant teal and glistening gold cover.
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I'm a composer, and therefore I know when I've written a good tune. When you've written a good song is when you know that the lyric is completely coalesced with the song.
