Song Quotes
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I see a steady downward slope toward oblivion over the next three years. I'm pessimistic. Everything that's happened to me so far has been kind of flukey. I went into Twentieth Century because I wanted to work for Hal Prince. The part was too small according to my agent. I had been doing only leading parts, and he thought I should continue that. But the part was enlarged in rehearsal: songs were added, and it became more physicalized and showy. Then I won awards and got attention.
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I sit and I write automatically. I don't really try to write. My subconscious mind takes over and writes the songs for me. Songs come very easily for me. When I'm inspired, it takes me 20 minutes to write a song.
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Labour itself is but a sorrowful song,The protest of the weak against the strong.
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A song has to take on character, shape, body and influence people to an extent that they use it for their own devices. It must affect them not just as a song, but as a lifestyle. The rock stars have assimilated all kinds of philosophies, styles, histories, writings, and they throw out what they have gleaned from that.
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She’s a nice girl – I just feel very honoured that she wanted to sing my song. I used to scream for her in Times Square and now I work for her. When I was 13 she was the most provocative performer of my time. I love her so much! Britney certainly doesn’t need any freakin’ tips from me! Britney Spears is the queen of pop. I was learning from her.
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My favorite songwriting trick is writing something like 'XO.' In my brain, I thought, 'This is probably going to be a love song. How can I change that and find ways to twist that.' As a songwriter, it's your job for the song to take twists and turns that people don't expect.
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For me it's more of a spiritual thing, but I don't want to give it away because it will change how people react to the song...
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I always think that today is the best day that there's ever been. The song that I'm working on is always the best song I've ever written. The woman I'm looking at is the most incomprehensibly beautiful woman I've ever seen. These dogs that I have now are, by far, the best dogs I've ever had - although, so were the last pair of dogs I had.
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I keep reminding people that an editorial in rhyme is not a song. A good song makes you laugh, it makes you cry, it makes you think.
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I would be on dates with guys, and the radio would be on, and if the Moody Blues song came on I couldn't concentrate on the guy; I would go straight into the music.
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I'm intrigued by what video can do. It can endear you to a song that might pass your ears otherwise. You remember interesting imagery. It can change your perspective.
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If a slave were to raise his voice to his master, he risked all manner of punishment. Yet what was possible in many circumstances was to lift one's voice in song. This was a major ingredient in what is now known as blues and gospel. Slaves may have been regarded as subhuman by their cruel captors, but through music, they were proud and dignified.
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I love the 'Delilah' show. I've been listening to it for years and years. It's incredible. She's always got a song for the right occasion. Many people call in, maybe their spirit it a little down, and she lifts them up. She is really somebody special. She's a lifeline to a lot of people.
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I just think the whole message within the song fits with today's themes. It fits with the majority of stuff that David writes about.
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Before you worry about what genre it is, about whether it's a loop or a drum, it's about what suits the song. It's using what's within your reach, but also reaching for everything you can. I don't know if I always get it right, because I don't know every sound yet.
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I've always wanted to title an album 'Illinois.' I wrote the song, which was a very special song to me. The song isn't exactly about being from there, even though I am.
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You get committed with what you put in songs. It made me wary of who and what I include, because that's there forever.
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The same song can have drastically different feels and personalities just by changing some minor things. A different drumbeat or some vocal overdub could completely transform the song.
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There's this idea, particularly in pop music and a lot of these pop father/manager types, that you're selling the person instead of the song. You basically want to create something that the fans relate to because it's exactly like them. So there's a lot of art that's made to be in the image of the audience, but then the audience is imitating this version of themselves. It's a really weird cultural feedback loop, and it's kind of strange to watch. It's a new thing since I was a kid, really a different thing.
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My dad, who plays guitar and piano and was in cover bands, along with my older brother, Matt, taught me guitar and stuff. I started writing acoustic songs and playing by myself in 7th grade.
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For me, 'I Am Woman' is all about transition. I turned 21 in December, so I'm not completely grown up yet but I'm not a little girl anymore. Just in that in-between stage. The song is everything I have ever heard a woman say. I loved this song for me and every young lady, girl and woman to be able to feel empowered in being female.
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You try to stay in the moment and act like you're singing the song for the first time. You try to have a good time yourself. That's the most important thing. If you're having a good time, people will join you.
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It sometimes takes 6 months or more after you've written and recorded it before you can start to enjoy the experience of singing the song.
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They would wake me up when I was sleeping, and say sing a song for our friends. I had a sweet voice, I had a nice little tenor voice. God knows what I sang, but my whole family would admire me.
