I try and make non-fiction films that feel like fiction, so I'm always looking for the subtext and that's what really excites me.
Every new generation of SF writers remakes cyberpunk - a genre often laced with dystopian subtexts - in its own image.
There's no subtext in Harry Potter really; it's all magic, anything can happen. Why do I say this? Because it's a magic spell. It's quite nice in a way. There is a real freedom to it.
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