Directors Quotes
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The contemporary Japanese directors who are well-known in the West - say, Kiyoshi Kurosawa, Takeshi Kitano, Naomi Kawase - are mostly unknown to Japanese, particularly of the younger generation.
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In general, we like to shoot Breaking Bad like a modern day Western, and Sergio Leone is one of my all-time favorite directors.
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A lot of times, directors don't know how to speak to actors, or writers don't know how to communicate.
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I'm just saying to everyone. The director does not direct the trailer. It's an edited version that takes so many moments of the movie, sometimes it's not even in the movie. The director does the movie. So don't judge the director based on the trailer. Please.
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As a director, you try to do things that are going to touch the human experience somehow, and emotions that mean something to people. You search for those projects and you hope to realize the potential in a project.
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Nobody, except Russian directors, can truly reveal all the features of the Russian soul.
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I'm one of the few directors that actually shoots a lot in camera.
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I worked with the best directors - Martin Scorsese, John Huston, David Lynch, Alfred Hitchcock. Alfred Hitchcock was great.
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No director wants to be directed, but no good director... would shy away from the good ideas of others.
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I was thinking what an interesting concept it is to eliminate the writer from the artistic process. If we can just get rid of these actors and directors, maybe we got something here.
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When people think of diversity, they think people of color, but it also means women, who are severely underrepresented as directors, writers and producers.
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I love directors who talk action as opposed to emotion.
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I love working with actors. If you cast the right person in the right part at the right time, they make you look like a better writer and director than you really are.
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But if one could go back in time, I'd love to have been directed by Howard Hawks, who's one of my great heroes. One of the greatest directors there ever was. He directed probably one of the greatest westerns of all time in 'Rio Bravo'.
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Reviewers are certainly entitled to their own opinions. I've become buddies with enough writers and directors, and to be perfectly honest, the ones that have lasted a long time don't pay a lot of attention to the reviews.
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I've turned down good directors before because I knew the part didn't speak to me and I've worked with less talented directors before because the part I had such passion for.
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In some way, the relationship between a director and an actor is personal.
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I have worked with a lot of great directors but my favorites are all entirely different from one another. They don't go about it the same way.
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I have a problem with writer/directors, personal. I can't work well with both of them on the set, if both of them are giving instructions. Writers tend to be in love with what they wrote. You can't always translate the words into the meaning, sometimes the meaning is better served without the words, difficult to make a writer to try to understand that. It gets, sometimes, tense.
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I get to play a great character while working with great actors and great directors on a great show.
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I used to work for an NGO called Transitions Online, and I was their Director of New Media. I was a very idealistic fellow who thought that he could use blogs, social networks and new media to help promote democracy, human rights and freedom of expression.
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All directors should have to act and all actors should have to direct, so that they can understand all these key things that come into play with whether you can meet your day.
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I'd say I got three or four offers for films that had female directors, so in my career I haven't had that opportunity before. That's exciting.
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No English director would've cast me as an officer, I promise you. Not one.
