Copyright Quotes
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I am outraged that the Gorillaz have infringed the copyright of my song 'Time Warp,' claiming their song 'Stylo' to be an original composition.
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Napster was predicating its business model on violation of copyright.
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It's not like what I do or what I wear is my copyright. What I'm wearing now also is an inspiration. It is how I saw it on the mannequin, and I just wore it, so it's in a way copied. But obviously, I wouldn't want to spend my life thinking about dresses. It is such a waste of life.
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Concerning iTunes, the deals have mainly been done with the record companies. But the artists, with some exceptions, haven't been very well-represented. This is partly because the record companies have largely been copyright owners.
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I'm going to copyright myself so he can have that distinction, sell them off.
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The thing I have to be willing to do is work - I think I'm the one that is going to actually copyright the term "25/8." You ever hear of the term "25/8?" It's the cousin of "24/7." I have to go "25/8."
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We as a music community have our own issues about advocacy, copyright, intellectual property, being paid fairly for the work that we do.
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I think copyright is moral, proper. I think a creator has the right to control the disposition of his or her works - I actually believe that the financial issue is less important than the integrity of the work, the attribution, that kind of stuff.
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Copyright? Copy RIGHT: Steal ideas, steal facts but do not steal words.
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The primary objective of copyright is not to reward the labor of authors, but ‘to promote the Progress of Science and useful Arts.' To this end, copyright assures authors the right to their original expression, but encourages others to build freely upon the ideas and information conveyed by a work. This result is neither unfair nor unfortunate. It is the means by which copyright advances the progress of science and art.
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All artists are protected by copyright... and we should be the first to respect copyright.
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There are so many items that are not in the copyright domain. And people might not realize the Library of Congress manages the copyright process for the nation.
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I have always found it interesting... that there are people who regard copyright infringement as a form of flattery.
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I, too, am deeply concerned with an overarching idea that dramaturgs are now authors . . .. I am not taking the position that all dramaturgs own copyright, deserve special billing credit, or should receive remuneration akin to that of the playwright. I know from my ears at the Dramatists Guild that almost everyone a writer encounters has suggestions of how to write and rewrite the play or musical to make it work.
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I think that the use of copyright is going to change dramatically. Part of it is economics. There is just going to be so much content out there - there's a scarcity of attention. Information consumes attention, and there's too much information.
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The absolute transformation of everything that we ever thought about music will take place within 10 years, and nothing is going to be able to stop it. I see absolutely no point in pretending that it's not going to happen. I'm fully confident that copyright, for instance, will no longer exist in 10 years.
