Periods Quotes
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I think to love somebody every day for a long period of time is the most romantic thing you can do.
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I think anyone who has, you know, is in any sort of artistic pursuit, kind of goes up and down with the way they feel about their work. And I, for the most part, am pretty happy person. But, yeah. I go through definite periods of time where I'm not funny. I'm not good. I'm - I don't feel original.
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Apparently, in the Avesta classical period no one would have dreamed of having a spiritual experience without resort to drugs.
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What I did was go into the studio and make music that I love. Make music that when you hear it, it feels good. Whether it was urban inspired, dance inspired, HipHop inspired or it just feels good period.
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I'm passionate about everything, like my family and friends. Anybody I am talkin' to is gonna be bona fide real. There is no substitution for happiness. Period.
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I think some period drama can be quite alienating, but 'Downton' isn't. This is going to sound quite, um, pretentious, but someone said that it's like a soap written by a poet.
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My period as a young teenager when you really listen to music so you can get understand a little bit more about what the music is was, say, 1965 to 1968. I was just lucky to be in those times.
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In the periods of my life when I've had least contact with the Church, I've always assumed a belief in God is a solid thing, but clearly it's a relationship; it has good days and bad days.
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A writer has to true to him or herself. Period. That’s it!
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If you want something, go get it. Period.
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I'm always nervous taking on a period role because it's difficult to research - you can't observe it, go out and see it. But it's satisfying because eventually you think, 'I got there.
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I think you go through a period as a teenager of being quite cool and unaffected by things.
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Fashion and music are the same, because music express its period too.
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There are good books and there are bad books, period, that's the distinction.
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I would describe myself as a filmmaker, period.
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This is a landmark work in the history of African American studies and American intellectual history. Writing with verve, Jackson brings to life a large cast of characters and traces an ongoing conversation among the writers and critics of this period. This book is likely to become a model for a new generation of scholars, both for the breadth of its engagement and the depth of its archival research.
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It's hard to say which of us is luckier, the ones who go through long periods when they can't write or the ones who can write pretty easily.
