Moved Quotes
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The point of Silicon Valley at least when I moved here was we're all trying to do stuff and none of us quite felt like we fit in anywhere else. But we were all trying to do good things. And the money was just the byproduct of good things. The idea that there's an obligation to have that thing happen in four years or five years or six years, I think we need to disavow that.
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You don't actually have to understand the song to be emotionally moved and uplifted, whereas with language it becomes quirky and analytical.
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I never really considered acting as a career until I moved to New York.
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Tourists moved over the piazza like drugged insects on a painted plate.
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I thought I'd go to a bookstore and see what moved me.
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I never used to get homesick when I first moved to L.A.
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I would like people to be moved to act collectively, to militate.
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In my fifth year in Beijing, I moved into a one-story brick house beside the Confucius Temple, a seven-hundred-year-old shrine to China's most important philosopher.
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When I was a kid I thought I saw a ghost in the forest when I was on a bush walk, like a walk through the forest. I saw something weird pass from one side of the track to the other, and it was sort of a white, blurry... it's hard to describe, really, something that was almost see-through but it just moved in front of me. It was definitely something you could tell was there, and it really freaked me out. I think I was probably 10, and I ran all the way home.
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I took piano lessons when I was 6. I didn't want to go on with it. I don't remember being moved by a piece of music.
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I love being able to be a writer. That's what I moved to New York to be.
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When I moved to Beijing in 2005 to write, I was accustomed to hearing the story of China's transformation told in vast, sweeping strokes - involving one fifth of humanity and great pivots of politics and economics.
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In order to move others, I must be moved.
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The fact that audiences have come away moved, excited, entertained and stimulated by the film is extraordinarily flattering.
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I moved out eventually of the White House and moved into a townhouse with a group of girls while I was in college.
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I have moved from certainty to doubt, from devotion to rebellion.
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On the stage, you enter into a bond with the audience, and you can sense they are moved by what you're doing. It's a sweet return.
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As much as I moved to New York and tried to work in theater as much as I could - I developed a relationship with Circle Rep - make no mistake about it, I really, really wanted to be in a film. It seemed like almost everyone I knew at least did something in a movie, except me.
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After I left LA... it was like waking up. And so I moved back east and stopped auditioning.
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My father was in the Army and we moved around a lot, and one of my favorite places was the library.
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I think we have made progress. There's no doubt about it, we have moved forward. But there's some essential, core thing that has not been deconstructed. And I'm telling you, it's connected to the body. I know it is.
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When I came to write my Thomas Cromwell books, I moved onto the center ground of English history, but I was never there before. I didn't feel it was my history particularly, coming from Northern Britain, being of Irish extraction, being a cradle Catholic. The image of England I grew up with felt somewhere else. There was an official England in postcards, but it wasn't one I had visited. But I decided to march onto the center ground and occupy it whether it was mine or not.
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I moved out to LA, got an agent, started auditioning. I didn't know anything about how it worked. And since I was really bad, luckily, I didn't get any of those parts.
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Nashville feels like a big little town to me. It's got lots of culture and lots of interesting things to do and lots of interesting people. At the same time, it feels very small and tight-knit and very close. Everyone feels like they know each other.
