Author Quotes
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I'm the author of several books, including children's books.
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That author, however, who has thought more than he has read, read more than he has written, and written more than he published, if he does not command success, has at least deserved it.
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Remember that you are in actor in a play of such a kind that the author chooses...For this is your duty, to act well the part that is given to you; but to select the part belongs to another.
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Why wouldn't - how couldn't - an author care about how his or her books look?
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I can't change overnight into a serious literary author. You can't compare apples to oranges. William Faulkner was a great literary genius. I am not.
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Life is a story and god is author.life is absurd.I think so.
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I don't tend to be a nitpicker when I'm watching movies, so as long as something is true to the spirit of the original, that's very much what we got for. You try to never do something that the original author wouldn't have done themselves.
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Sometimes actors don't remember their lines. At its worst, this means they 'dry' and silence descends. More commonly, the original lines are paraphrased in some alarming way. It's hard to say which is more painful for the author. Less serious, but quite irritating is to hear the word 'Well' inserted at the beginning of speeches.
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I realized than an author cannot also be a producer.
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Elena Ferrante is the author of several novels. There is nothing mysterious about her, given how she manifests herself - perhaps even too much - in her own writing, the place where her creative life transpires in absolute fullness.
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When a Benefit is wrongly conferred, the author of the Benefit may often be said to injure.
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It's easier to come up with new stories than it is to finish the ones you already have. I think every author would feel that way.
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Sit down and put down everything that comes into your head and then you're a writer. But an author is one who can judge his own stuff's worth, without pity, and destroy most of it.
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Reading of this kind cannot be done in a hurry. To enter a very good, or a great book (the latter are admittedly rare, but there are good reasons why we refer to them as classics), is to enter a world: the world created by the text, and the implicit world of the author’s voice, style, sensibility – indeed, the author’s soul and mind. This takes an initial stretching of the mind, a kind of going out of the imagination into the imaginative landscape of the book we hold in our hands. It is often a good idea to read the beginning of a book especially slowly and attentively; as in exploring a new house or place – or person – we need to make an initial effort of orientation and of empathy. Eventually, if we are drawn in, we can have the immensely pleasurable experience of full absorption – a kind of simultaneous focusing of attention and losing our self-consciousness as we enter the imaginative world of the book.
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The problem is that in order to publish a book in mainland China, you have to agree to be subject to censorship. That's the nature of the system. I don't challenge that system on its face. It's their system. But as an author, I have a choice to make whether I'll participate or I won't.
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The heroine might be unsure. And the reader. But I don’t think the author should be.
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I believe that there is much less difference between the author and his works than is currently supposed; it is usually in the physical appearance of the writer,--his manners, his mien, his exterior,--that he falls short of the ideal a reasonable man forms of him--rarely in his mind.
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One can say that the author is an ideological product, since we represent him as the opposite of his historically real function. (When a historically given function is represented in a figure that inverts it, one has an ideological production.) The author is therefore the ideological figure by which one marks the manner in which we fear the proliferation of meaning.
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To approach the stories in this way is to rob each author of his own integrity as an author and to deprive him of the meaning that he conveys in his story.
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I don’t mind citing a bad author if the line is good.
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I have never admitted the right of an elderly author to alter the work of a young author, even when the young author happens to be his former self.
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At the end of the 1950s, I started working at a publishing company, Estudios Cor, as production manager, so returning, but not as an author, to the world of letters I had left some years before.
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A creation of importance can only be produced when its author isolates himself, it is a child of solitude.
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A map in the hands of a pilot is a testimony of a man's faith in other men; it is a symbol of confidence and trust. It is not like a printed page that bears mere words, ambiguous and artful, and whose most believing reader - even whose author, perhaps - must allow in his mind a recess for doubt. A map says to you, 'Read me carefully, follow me closely, doubt me not.' It says, 'I am the earth in the palm of your hand. Without me, you are alone and lost.
