Drama Quotes
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Jennifer was great. She is fantastic. Really easy to work with, no drama, really down-to-earth, such a funny girl. Nothing but good things to say about her. She really was great to work with. And it always makes it easier when you’re working with people that you like and you enjoy being around.
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Don't Make Assumptions. Find the courage to ask questions and to express what you really want. Communicate with others as clearly as you can to avoid misunderstandings, sadness and drama. With just this one agreement, you can completely transform your life.
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Beware the ends of the earth and the exotic: the drama is on your doorstep wherever the slums; are, wherever there is malnutrition, wherever there is exploitation and cruelty.
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I'd love to play a villain in BBC drama 'Sherlock' - some sort of evil, slinky blonde would be right up my street.
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Someone asked me the other day, 'What is your most memorable moment in your career?' and by far, China was. Being so close - the medal race was one part of the story, and there were a few incidents through the event that amounted to that massive drama at the end that cost us the medal.
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In a fight, you don't need much context for drama. You watch a fight, and that's it.
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I was a solid C student because I was doing so many plays. I was a drama nerd, but I was also kind of a Zelig-like character; I would shift between different groups of people. But the people I spent most of my time with were either chorus or swing choir or the drama nerds.
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Mum put me in drama classes when I was about 14. I'd been going on about it for some time, so maybe it was a way to shut me up.
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I was lucky to get into drama school and become a professional actor. No-one ever mentioned the colour of my skin. It's only when I came out of RADA - the Royal Academy of Dramatic Art - that I suddenly realised people started to refer to me as a black actor.
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I've always done drama, but I suppose 'Tyrannosaur' was a bit of a watershed moment for me. It was like when Kathy Burke did 'Nil By Mouth' - suddenly, people were saying, 'Oh, she can do that, too.'
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I think, through comedy, sometimes we're allowed to discuss things that you'd never be able to talk about in a drama.
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Drama is not hard for me. It just didn't seem hard.
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You come out of drama school and do theatre and are interested in creative endeavour, then you drift into TV and movies and realise that artistic endeavour needs to balance with financial success. There's no point spending millions on a movie that doesn't make any money, because the people producing it won't make another one.
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I think I was about 18 before I decided I wanted to pursue acting. I went to drama school in Western Australia when I was 19.
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Drama asks some uncomfortable questions at times... It goes to pretty dark places.
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As a child, everyone dreams of finding treasure. There's romance and drama. But as an adult most people aren't going to spend their lives trying to find it.
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It is the sincerest thing I have written, caught by the drama of a soul struggling in the contrary toils of love and religion - death brought them into harmony.
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There's real drama in performing live. You never know how it's going to be.
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For some reason, comedy just comes easily to me, and I feel like I can do it. I don't have any doubt. When I work on drama, there's always a sense of 'Did I find this person's truth at the bottom of this?' And it's hard to tell sometimes.
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There's no need for drama and hate, y'all. Let's love each other! We're all human, right?
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We are the only school in America, drama school in America that trains actors, writers and directors side by side for three years in a master's degree program, and we want them - to expose them to everything.
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I went to drama school in England, and you spend your first year working on the muscles surrounding the vocal mechanisms. You learn how you support it and create characters through your voice so that became an obsession. So I went to Hollywood thinking, 'Oh, I'm going to be one of the great voice-over artists.'
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People will always respond to high-class drama.
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I became frustrated early on as a playwright by a kind of smug smallness in modern drama. There was a lack of what I now understand as courage in the work of others as well as in my own work, and I found I was mildly amused or interested by such plays but not deeply engaged or enlightened.
