Drama Quotes
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'Banshee' is the story of a man who gets out of prison, tracks down his long-lost love, and tries to reclaim what was stolen from him years earlier by assuming the identity of a sheriff. I guess you could say it's an explosive action drama - sit down, strap in, and enjoy the ride!
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Baseball is drama with an endless run and an ever-changing cast.
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I think people look great in black. I love that what stands out is the person, especially. Black just conveys a kind of drama, even if it can be quiet drama. It does lend to the wearer a sense of confidence.
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What serialized cable dramas have given us is the opportunity to not simply tell the same story with slightly different words and different costumes, every week. people are really mining the ability of storytellers to tell a long form story that goes from A to Z, and to trust that an audience will follow that. If they miss it, over the course of the week, they can watch it online or buy the DVD. There are so many different ways of interacting with it. Storytelling in television is getting more complex and more nuanced.
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I'm really interested in mythology and folklore. I'm interested in moralities, why we're here, faith... all of these bigger questions that I think we can place in films that allow us to question and give us a safe place to feel. Those types of questions can pop up in all sorts of different types of films - drama, comedy, action movie.
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My degree was in education, but the idea of being a teacher lost out to being a reporter. I worked at a newspaper for a while, then went to New York and worked in PR at RCA and NBC, and at 'The United States Steel Hour,' a drama series.
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I graduated in 1930 and I went up to the Yale Drama School for two years.
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Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.
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I don't know if Britain ever really achieved that much glamour. We had post-war austerity rather than post-war prosperity, and our cultural products of the time include some pretty dour kitchen-sink dramas of the A Kind of Loving variety. (This kind of film seems disillusioned with the sixties before they've even really begun.)
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Violence in drama is an external contextualization of internal conflicts.
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Great stories are still just great yarns. News remains the best human drama ever. Technology is not changing the story; it is just changing the way in which we deliver it.
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I've always felt that acting is acting, at the end of the day, so whether you're doing comedy or heavy drama or anything else in between, you always have to bring a semblance of honesty to it. It's all make believe.
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I was quite young when I went to a drama workshop. I was around 9 or 10. I showed interest in it. I never saw it as a career. At around 16, I knew what I wanted to do.
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I think that I am interested in the resonance between character drama and high stakes, either situational or political or social or other kind of elevated drama, and I tend to find that those things combust.
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I wrote an ITV drama in the 1960s, a satire on management theory that starred Leonard Rossiter. I'm also a poet and have had work in the 'Spectator.'
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You know, I've always wanted to do dramas.
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Experience means conflict, our natures being what they are, and conflict means drama.
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When I came to know theater, drama became valuable to me.
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In professional wrestling, I think that they want you to be bigger than life. It's almost like an over-acting type thing - whereas on the big screen, you're 35 feet and they've got a close-up of you to put it on the screen in the movie house. At 35 feet, it's more subtlety than the overboard drama that we do in pro wrestling.
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Novels often have leisurely openings; a TV drama needs an arresting opening.
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Drama is not my passion. If I do it, it's for a check. It's not what I want to do. Comedy's my thing. Stand up's my thing. Everything that comes from that is frosting on the cake.
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I learned about not just being with someone because I don't want to be alone: being willing to be alone, and then find something that feels right and just reaching for companionship for companionship's sake. Not letting drama lead my life.
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When I was at youth theatre and drama school, I never thought people would mistake me for a stand-up.
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All of us live in history, whether we are aware of it or not, and die in drama. The sense of history and of drama comes to a man not because of who he is or what he does but flickeringly, as he is caught up in events, as his personality reacts, as he sees for a moment his place in the great flowing river of humanity.
