Drama Quotes
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I wouldn't have been able to go to drama school when I was 19. I don't think I was even conscious of life... I was like a zombie. But when I finished uni' I just realised... just go and do it, stop being a knob.
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I'm not sure anybody's ready to see me in a drama. And loving movies so much, I've seen a lot of comics try to make that transition too fast, and it can be detrimental. And I don't think I've had as much success as I need in the comedy genre to open up those opportunities.
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I don't buy into any of that hogwash. They put that out to sell tickets. It's just a classic horror movie, with the Greek drama formula of good versus evil, and lots of fear.
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I just like the continue doing what I've been doing. A melange of funny, straight drama, television, movies, a little theater here and there wouldn't hurt. So if I can keep doing that, I'll be a very happy person.
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Worship isn't God's show. God is the audience. God's watching. The congregation, they are the actors in this drama. Worship is their show. And the minister is just reminding the people of their forgotten lines.
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What's a better foundation for drama? You have power, you have ambition, you have sex... that's the stuff of drama.
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In fact, part of the Netflix series is drama.Beyond re-enactments. Why not invent something new?
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I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.
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You can't beat a cop drama. That's what everybody seems to want to watch.
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The Jewish festival of freedom is the oldest continuously observed religious ritual in the world. Across the centuries, Passover has never lost its power to inspire the imagination of successive generations of Jews with its annually re-enacted drama of slavery and liberation.
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Critics think we try to make bad films. They think we want to spend five months of our lives making something bad. We always go out with the best of intentions, whether it's fluffy comedy or a drama.
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We need to look to our laurels a bit with television in this country. I don't think enough risks are being taken in drama television in the U.K., and I think a lot of programme makers are underestimating the intelligence of the viewing public, basing it all on ratings.
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A gripper of a read . . . Silence revives the cliff’s-edge drama of those Jazz age climbs and drives home the tragedy of Mallory’s death.
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There are mythic patterns under all of our lives. Each one of us, often unbeknownst to ourselves, is engaged in a drama of soul that is not reserved only for gods, heroes, and saints. Story is one bridge between the human realm and the divine.
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I wrote my first play, Uncommon Women and Others, in the hopes of seeing an all-female curtain call in the basement of the Yale School of Drama. A man in the audience stood up during a post show discussion and announced, “I can't get into this, it's all about girls.” I thought to myself, “Well, I've been getting in to Hamlet and Laurence of Arabia my whole life, so you better start trying.”
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American men are more open, they are readier to express their emotions, but they also get frightened easily. Italians are used to drama. For us, arguing, shouting is perfectly normal - for them it is inconceivable.
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I kind of viewed '50/ 50' and 'Warm Bodies' both as my next films after 'The Wackness.' In my head, I was just like, 'I'll try the big, fun, adventure-weird movie, and I'll do the small, heartfelt comedy-drama, and one of them will probably work out, and I'll get to work more.'
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I was once so terrified of acting that I used to pretend I was ill to get out of drama.
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I would love to do a political drama. I'm a 'West Wing' fanatic.
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To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
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I think for any artist, your voice is always evolving. For me, the constant is finding a tension or balance between drama and comedy.
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I am acting at university, and I have really enjoyed doing student drama.
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I think my life has everything, you know; it has comedy, has drama, has action.
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I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.
