Drama Quotes
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I would like to say something deeper, but for me, I saw a production of "Fences" in Rhode Island and a fabulous actress played Rose, but when she first came on the stage she was mad. You could just see it. She was all, "Troy stop!" So by the time you get to the revelation scene, I didn't think she loved him, so there was no loss. I think that the real tragedy and the real drama or the thing that makes you lean in is to see the love, to see the commitment. To see the fact that Rose is invested in this marriage no matter what.
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Often our bad moments are self-propelled ... And the drama is almost exclusively within our heads and hearts.
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I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.
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I was maybe one of two black kids in the drama department. It was, 'Well, you can't play this role because that guy has a white girlfriend or a white cousin or whatever.'
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The rise of the dramas in the thirteenth century, and the rise of the great novels in a later period, together with their frank glorification of love and the joys of life, may be called the Third Renaissance.
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My philosophy is making a movie is difficult enough and I just feel as if you should have a really good time when you do make films whether it's a drama or a comedy.
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American men are more open, they are readier to express their emotions, but they also get frightened easily. Italians are used to drama. For us, arguing, shouting is perfectly normal - for them it is inconceivable.
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Live television drama was like live theater, because you moved without thinking about the camera. It followed you around. In film you have to be more aware of what the camera is doing.
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I have a word quota I try to fulfill every day, and I try to do that in the morning and into the afternoon and then go out with friends at night. I love singing and have lessons and enjoy drama, and so I am involved in that.
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From my experience, I would say no: actors of East Asian descent don't get the opportunities white actors do. I know that's inherently a problem in a country that produces a lot of period drama, but I have to fight so hard to get parts that don't have something to do with China.
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Forgotten was presented to me by the drama department at LWT as a concept and I found it immediately intriguing and very powerful. I was completely led by the power of the piece and its dramatic potential.
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I had done plays in high school. It was something I always wanted to do since I was little. I was a drama major at UC-Irvine.
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I think humor is like a shield that lets you get as close to the sad sad flame as possible - far closer, oftentimes, than drama.
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I think for any artist, your voice is always evolving. For me, the constant is finding a tension or balance between drama and comedy.
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My dream's simple..and does whatever it pleases. I'm just moving in the direction of Seung Jo who's at the center of it.
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I'm not a comedian. I can play off of people, but I'm not that guy. I don't want people being like, 'Yeah, he should have stuck with drama.' It would not be my choice to have critics mumbling that.
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A League of Their Own' had some special meaning for me, I guess - it's about women joining together and being empowered, but also about sisters sticking together even when there's drama and struggles. I'm really close to my two sisters and my brother, so I liked that about it.
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Youth instinctively understand the present environment – the electric drama. It lives mythically and in depth.
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You can’t save others from themselves because those who make a perpetual muddle of their lives don’t appreciate your interfering with the drama they’ve created. They want your poor-sweet-baby sympathy, but they don’t want to change.
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Bored people looked for drama and caused trouble.
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I kind of viewed '50/ 50' and 'Warm Bodies' both as my next films after 'The Wackness.' In my head, I was just like, 'I'll try the big, fun, adventure-weird movie, and I'll do the small, heartfelt comedy-drama, and one of them will probably work out, and I'll get to work more.'
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I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.
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I've had a long association with the theater over the years but I had never produced a play and it was something that I'd always wanted to do.The movies moved away from dramas, and I think that I'm very excited by the opportunity to take smart writing that takes risks and see it on stage. It's exciting to see that engagement between the audience and the playwright.
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I would love to do a political drama. I'm a 'West Wing' fanatic.
