Style Quotes
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They've got this house style which is writer driven. I heard of one person who sent his script in, and Karen Berger said there weren't enough words in it. Put some more in.
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My style evolves day by day; I love change.
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I won't be attempting to write Jane Austen-style prose - that would be suicidal. But I will attempt to bring the highest level of my own prose, and to make it sparkle.
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Some people criticize me for always wearing different variations of bobs, but bobs never go out of style.
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I think talking is as casual as blogging, and sometimes writing can be as casual as talking. My informal writing style is a political choice, because I want feminism to be more accessible.
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I don't really have a favorite genre. I could listen to a rock song, a metal song, jazz, pop music, whatever. For me, whatever style it is, it always depends on the chord progression, the lyrics, and the melody used.
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When I think of my own struggles as a musician, I'm most proud of the chances I took. My style not only allowed for the possibility of failure, it practically ensured it. But this approach gave me confidence.
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Without getting real personal, we liked our bass player Ed. He was a great guy and he was a good bass player but his playing was suited for a different style of band.
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No one's ever really given me any style advice. I wear what I want, and it doesn't matter what other people think.
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When you think of the visual style, when you think of the visual language of a film there tends to be a natural separation of the visual style and the narrative elements, but with the great, whether it is Stanley Kubrick, Terrence Malick or Hitchcock what you're seeing is inseparable, a vital relationship between the images and the story he's telling.
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That's my style - to mix a lot of print and pattern and put it all together.
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Bling is passe, and I like my style to reflect just that. Ruthless editing defines true style perfectly.
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I told her it was a bigger than life musical, that all the actors were going to be about the same age, late twenties into thirties. It would be a style; a kind of surreal high school.
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A good style must, first of all, be clear. It must not be mean or above the dignity of the subject. It must be appropriate.
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My sense of style is influenced by how I feel. I want to express myself because they see you before they hear you. You want to come on stage, and what you look like should represent the song you are playing or the set you are about to play or the message in your music.
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I dress myself, not to impress, but for comfort and for style.
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Late style gets simpler and shorter, and here, I'm getting more abundant as I get older!
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You have to be down here in the States to realize just how tightly controlled the corporate media is and how much they practise Soviet-style censorship through creative omission.
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I don't want any of my records to sound like one style throughout. That's why I choose different grooves and songs: tunes that are sensitive and slow as well as pieces that are abstract and fast. The approach I want to take with my records is to give the listener a variety of grooves, concepts, and composers.
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No, because I've never really changed my style that much.
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Fine writing is a distinct disadvantage. So is unique literary style. They take attention from the subject.
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The higher up you go, the more mistakes you are allowed. Right at the top, if you make enough of them, it's considered to be your style.
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Leather is always sexy, and you have to wear leather when you ride a bike. It's more for protection, but it also gets you some style points, I think.
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We do long-form-style improv. Our focus was characters and telling a long arc story over about an hour and a half. It was closer to a one-act play than one-off sketches.
