Style Quotes
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Actually I like the idea of being a Renaissance hack. If tombstones were still in style, I would want to have the two words chiseled right under my name.
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An easy way to find your own style is to exaggerate yourself a bit and then find a balance.
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I've found that motherhood helps you figure out what absolutely needs to be done and what doesn't. You just learn to do everything quicker and quicker - your style and your makeup gets more refined and generally easier.
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My style is super versatile and doesn't pertain to any one category. It can be best compared to a mood ring. It is very dependent on the mood I am feeling for the day.
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Yeah, I know there's been all this talk this year especially about the 3-point shot and can you win shooting it. There's a lot of different styles that can work. You have to base it on your own personnel.
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The opulence and grandeur of a lot of period drama really helps you get into character and appreciate the luxury of good quality. If you're fashion-minded in any way, you can't help but be incredibly inspired and apply elements to your own style.
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I think New Orleans is such a beautiful city. It looks like a fairytale when you walk through the French Quarter or the Garden District. There is such a lush sense of color, style, architecture - and the people themselves.
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I was thinking recently about the popularity of TV shows about people shopping for houses. I wonder if part of their appeal is the chance to vicariously imagine our lives playing out in a variety of spaces. We have a sense that the shape and style of our dwellings affects the shapes of the lives that unfold within them.
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My comics have changed so much over the years, in the writing, in art style, sometimes incrementally, sometimes quite suddenly. So I've cultivated an audience who will go along with me because they trust me.
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When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small.
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The primitive style makes nature look like stage scenery.
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My brain is a big cluster of stuff. It moves quickly and loses focus quickly, so I need many projects to keep me stimulated - it's a luxury to be able to do lots of different things: style, write, present, DJ or just consult. It can't be any other way; I think I would shrivel up and fall asleep forever.
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In 'Windtalkers,' the director John Woo is meticulous in melding his own intimate style into the cliches of a large-scale war movie, paying homage to all the tired conventions of the genre. But it's an honor that these cliches don't deserve.
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I don't have a life-style, I have a life.
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Very early in my career, I thought I had to conform to one style of leadership - lead by being the loudest one in the room, with the sharpest elbows.
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My personal style is bipolar. Sometimes I feel like dressing in a boyish leather jacket; other times I want to dress more elegantly. Most of the time it's what I like to call 'comfortable chic': Giuseppe Zanotti flat sandals, Rag & Bone jeans, slouchy Isabel Marant shirts.
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For me, style is about how you feel that day and what inspires you, as well as taking chances and making mistakes. Everything has to be comfortable. If things are too tight or too constricting, I feel out of my element.
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I play a certain style. I'm not willing to compromise that part of me.
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Know that your style will always change and that nothing is ever set in stone.
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I guess my style is a cross between David Bowie and Clint Eastwood.
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As for style, there is something about the way musicians dress-they seem to be able to create their own world within their fashion alone.
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In drama, you're interacting with other actors to tell the story. The camera is like the theater: it's the artistic fourth wall. In a screen play, you don't look at the camera and communicate with it. But with hosting, you're looking right into the lens and talking to the people. It is a different style, and it's fascinating.
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The skyscraper style first advocated by Louis Sullivan - a tower of strongly vertical character with clear definitions among base, shaft, and crown - has remained remarkably consistent throughout the history of this building type.
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Any critic of Cezanne who described him as a painter of country scenes would be moving in the wrong direction. You must begin with the question of style . . .
